Who Here is Vertical Bi-Amping?


I recently tried vertical bi-amping and I am very impressed with the results. For the record, I am using “vertical” to refer to using two stereo amplifiers (one amp per speaker) where each amp uses one channel for the midrange/bass driver(s) and the other channel for the tweeter. I am using passive crossovers between the amps and speakers.

My first impression is that there is a noticeable increase in detail and a large reduction in treble harshness at higher listening levels. This makes sense to me because now the tweeter is independent of what the midrange/bass driver is doing. (Technically its “independence” is equal to the channel separation spec of the amplifier.) When the mids call for lots of power which can stress the performance of that channel, the tweeter performance isn’t affected. 

After reading what I could online, I was hesitant to even try vertical bi-amping since I saw lots of mixed reviews on bi-amping in general. I decided I had to try it after reading this post on another forum by Mark Donahue of Sound/mirror Inc. (no affiliation):

“...We have been vertically biamping the speakers here in our mastering studios for 25 years and have yet to find a monoblock that delivers better performance than a pair of stereo amps.
Going back almost 20 years we were looking for a big solid state amp to drive the brand new at the time B&W 801 II. What we found at the time was that the larger monoblock amps from B&W (MPA-810) and Threshold (SA-1000) did not sound nearly as good as the similar stereo amps in a vertical biamp configuration. Every couple of years we would try out the new big monoblock de jour (Krell, Spectral, Cello.....) and every time we found that the stereo sibling of the big monoblock yielded better imaging and lower overall distortion.
Recently we went through the entire routine again. I finally had to retire my five trusty old Threshold S-500 series II due to the need for true balanced inputs. I tried the Classe CAM400 and was underwhelmed with the imaging and clarity. I then replaced them with the (Less Expensive!!) CA-2200 stereo amp and the difference was shocking. Better imaging, better impact and smoother frequency response from my Dunlavy SCV’s.”

I’m very glad I tried it as my system is sounding much better! Does anyone here vertically bi-amp their speakers? If so, what has been your experience and do you find it better/the same/worse than monoblocks, stereo amps, horizontal bi-amping, etc.?
mkgus

Showing 1 response by soundsbeyondspecs

I’m using a Rane 23B 3-way stereo Active Crossover with balanced inputs and outputs. Each speakers crossover frequency and volume control are adjustable with rotary dials. For example, I bought SEAS Millennium tweeters with a max low XO point on the spec sheets at 2000Hz. I simply adjust the rotary dials to the same frequency, then, used a sound level meter and test disk to set the volume levels of each driver. The same set-up method followed with matching Seas 7” woven midranges and a pair of handy 15” Yamaha bass drivers, all 8 ohm.

The Rane 23B recieves balanced L/R analog output signals from my preamp. The analog outputs from the Rane 23B connects to a Proceed AMP5 at 125WPC that handles the mids and tweeters, and a Lexicon LX-7 at 250WPC that handles the bass drivers. Looking at the SEAS midrange natural roll-off pattern and SLM testing, I chose 100 Hz as the XO between the 15” bass and 7” midrange drivers.  

If I change drivers, I can easily readjust the Rane to match the spec sheets. I’ve been very happy with the sound quality and especially, the quick adjustability of XO points and driver volume levels.

For a SVS PB13 subwoofer, I disabled all SVS preamp adjustments, or, play it "wide open” at a Very Low Volume.The sub is connected directly to my preamp’s L/R coaxial outputs to match the Balanced outputs connected to the Rane. My concern of playing higher frequencies wide open was quickly proven wrong. It’s clear and smooth from top to bottom and gained an appreciable “depth”.