Twl, your argument is a good one but at the end of the day it doesn't pass muster. First, as to the organ work with the occasional 16Hz pedal tone, yes, a system that will not reproduce that pitch is recomposing (or decomposing) that work. If the composer did not want you to hear that pitch, s/he would have spared the organist the bother of playing it. None of us would cut speaker systems any slack about accurately reproducing other aspects of music, why do the extreme ends of the spectrum get an exception?
Here's an example: Last night I was having coffee with a friend in a local coffee shop that prides itself on being a bit artsy-fartsy. To my delight, they put on the Herbert Howells oboe sonata, a work out of my own performance past. The fast, nuanced playing totally defeated the resolving power of the tiny Bose-ettes mounted around the room. Further, the wonderful, woody nasality of the instrument was almost totally lost. Now, virtually no one on this list would defend a speaker system that decomposed the music in that fashion, yet folks will cheerfully give away an octave or so on both ends and defend their decision to do so. Stay with me now: I'm not comparing Bose microspeakers to good single driver systems in any respect other than this one--that they deny the listener the opportunity to hear the music as the composer intended it to be heard. It may still be very pleasant. I was far happier sipping my java with Howells in the background than being subjected to Kenny G or Barely ManBelow. But I was not having the experience that Mr. Howells wanted me to have when he wrote the piece.
You may say, "But no speaker can reproduce everything just right!" And you're correct. Indeed, that endless quest for the sound of live performance is the driving force behind the high end. I would submit, though, that a good full-range system that is down perhaps 2-3dB at 20Hz comes closer to realizing the composer's intent than one that is down 20-30dB at 20Hz--at least to the extent that the composer wrote notes down that low. So defending single driver systems with steep low-end rolloff simply because all systems have SOME low-end rolloff doesn't make much sense to me.
For persons who listen only or primarily to music with frequencies that fall within the range of single driver speakers, I agree that they can offer superb midrange sound and a number of other very positive characteristics. For those of us who are accustomed to hearing live organ or orchestral or other musical forms that include significant low frequency content, single driver systems simply leave out too much of the music.
This is exactly the kind of disagreement that makes high end audio interesting. Thanks for the gentlemanly tone of your response to me and please accept my comments as I intend them, not any kind of attack but simply a difference in point of view.
will
