Ime loudspeaker design is a fascinating competition of ideas, every one of which is a juggling of tradeoffs (and anyone who tells you otherwise is in marketing). The implementation of those ideas can take very different forms: Single driver, two-way, three-way, four-way, planars, horns, multidirectionals, omnis... And even among speakers which are outwardly similar, the designers are constrained to giving some attributes higher priority than others.
In general the attributes which I prioritize are more likely to be found in a conventional three-way than in a conventional two-way, but my own designs tend to be unconventional two-ways with rear-firing tweeters, often augmented by subs... in which case I guess they are three-way systems?
Duke