Which songs or musical standards have haunted you?



For my entire life I've been hearing certain songs and musical tunes. These same songs and melodies have been done by countless artists. Today I decided to search the origination of this music.

"Tenderly" has probably been the most consistent tune in my life. I recall it from my high school prom.

"Tenderly" is a popular song published in 1946 with music by Walter Gross and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard.

Early recordings were by Sarah Vaughan, who recorded the song in 1946 and had a US pop hit with it in 1947;[1] and the Brazilian crooner and pianist Dick Farney (Farnésio Dutra e Silva) who recorded the song in 1947.[citation needed] Since then, "Tenderly" has been recorded by many artists, but perhaps the best-known version was by Rosemary Clooney. Clooney's recorded version reached only #17 on the Billboard magazine pop charts in early 1952, but it is more popular than the chart data would suggest, as is evidenced by the fact that Tenderly served as the theme song for Clooney's 1956-1957 TV variety show. The song featured in the 1953 film Torch Song.

"Early Autumn" is another favorite of mine sung by "Anita O'Day"

"Early Autumn" (1949) is a song composed by Ralph Burns and Woody Herman with lyrics by Johnny Mercer. It was a hit for Woody Herman in the year it was written.

"Claire de Lune" is one of the most beautiful melodies I've ever heard.

Suite bergamasque was first composed by Debussy around 1890, but was significantly revised just before its publication in 1905. It seems that by the time a publisher came to Debussy in order to cash in on his fame and have these pieces published, Debussy loathed the earlier piano style in which these pieces were written.[2] While it is not known how much of the Suite was written in 1890 and how much was written in 1905, we do know that Debussy changed the names of at least two of the pieces.

"Passepied" was called "Pavane", and "Clair de lune" was originally titled "Promenade Sentimentale." These names also come from Paul Verlaine's poems.[3] It is interesting, however, to note that "Promenade Sentimentale" alludes specifically to one of Verlaine's earliest collections, "Poèmes saturniens," a fact that Debussy obviously took into account when he changed the name (and most likely much of the music)[citation needed] in order to suit both his later style, and Verlaine's.

"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart musical Babes in Arms in which it was introduced by former child star Mitzi Green. After being recorded by Chet Baker, Frank Sinatra, and Miles Davis, the song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists.

"Round Midnight" appears in my collection by more artists than any other tune.

"'Round Midnight" is a 1944 jazz standard by pianist Thelonious Monk. Jazz artists Cootie Williams, Dizzy Gillespie, Art Pepper, and Miles Davis have further embellished the song, with songwriter Bernie Hanighen adding lyrics. Both Williams and Hanighen have received co-credits for their contributions.

What standards can you add to this list that have haunted you for many years?


orpheus10

Showing 13 responses by orpheus10


Let me make some things explicitly clear; while the words "haunting" and "haunted" can be ambiguous, whatever these words mean to you in any given situation is appropriate, especially in music, it can pertain to past or present.

This is music Mapman submitted, that I'm hearing for the first time, and not only is it haunting, but it's also appropriate for scary thoughts I have of the present and future.


      https://www.youtube.com/watch?v=NURDpnR-cEg


Enjoy the music.

Until now, I thought I was the only guy who married the wrong women the first time; all my clothes covered the front lawn. Men will never figure out why women do the things they do.


Enjoy your new collections.

"Last Train Home" is a beautiful and haunting tune, plus those steam locomotives remind me of my childhood when we lived close to tracks, and the engines were those really huge steam engines that would shake the whole house.

So many different kind of steam engines chugging along to the music across all the varied terrain encountered crossing this country was most scenic. I did that in a train with a dome car; quite an experience, I love trains.

Enjoy the music tomcy6.

This thread has gotten the most amazing results; it seems that the same songs have haunted us all. Although the way I used that word "Haunted" is ambiguous, it still worked, because it got the answers I was seeking. What's even more surprising is that so many chose songs that I had long forgotten, but they had the same effect on me; take "Maybe" by the Chantels; how could I forget that ever lasting, never ending "teenage love".

Another amazing thing about these songs is how they cross all boundaries in regard to genre; like "Ode To Billy Joe" for example.

Have a happy holiday, and


Enjoy the music.
Zd542, maybe a bad choice of words on my part. Probably followed you throughout your life, or that you heard on the radio ages ago, songs or melodies that you've liked in their many versions as long as you can remember, would be a more appropriate description of what I'm after.
Rok, I didn't mean something bad. Eleaner Rigby is very sad; especially by Ray Charles, but I like it, although it makes me feel sad.

Eleaner Rigby could very well qualify for what I was looking for. I have it in as many versions as there are recorded. It would certainly qualify as one of the songs that's "haunted" my inner soul.

Donjr, "Blowin in the Wind" is a good example. The one by Peter, Paul & Mary is my most memorable. That came out about the same time as "California Dreamin" by The Mama's and the Papa's". It seems everybody recorded "California Dreamin", which is another song that's "haunted" me, and exists in more versions than I can count, in my collection.

Haunted

1. To inhabit, visit, or appear to in the form of a ghost or other supernatural being.
2. To visit often; frequent: haunted the movie theaters.
3. To come to the mind of continually; obsess: a riddle that haunted me all morning.
4. To be continually present in; pervade: the melancholy that haunts the composer's music.
v.intr.
To recur or visit often, especially as a ghost.
n.
1. A place much frequented.

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Maybe, it's not my choice of "word" but the description that fits your definition is the problem. "To recur or visit often", YES: "To inhabit, visit, or appear in the form of a ghost, NO: "The melancholy that haunts the composers music", YES.

While the word is ambiguous; as "audiophiles" and lovers of music, I believe we can discern the definition that best fits our use of the word.
Frogman, that's perfect, and I like your list, but this would also include your definition of the word Donjr.

I found it amazing how many times the same songs appeared, and when they weren't on my list, I would have chosen them. The worst kind of "hauntings" are those related to long lost loves as in "Casablanca": "You played it for her, you can play it for me". This was of course in reference to Sam and Rick (Humphry Bogart) in the movie "Casablanca", and the song was "As time goes by".

"Softly As In a Morning Sunrise" was my Casablanca song, I couldn't stand to hear it for years. There are so many ways we find music "haunting". I feel fortunate that you shared your musical experiences with me; I even went to "Youtube" and listened to music I hadn't heard before. This has definitely broadened my musical appreciation.

I was crossing a bridge over some muddy river in Mississippi, when "Ode to Billy Joe" came on the radio. That was certainly unforgettable, and of course it's still in my collection. Certain music evokes images; "Harlem Nocturn" produces a big city skyline with skyscrapers silhouetted against a dark red sky, just before night when the city comes alive.

While there was no misunderstanding in regard to what I meant, I'll add some "specificity" that will allow us to continue this very interesting musical journey.
I checked out the word "haunting" to be precise and it means "beautiful, sad or frightening in a way that cannot be forgotten"

Words, and music pertaining to words, or words pertaining to music are always open to interpretation. Since half of the fun of any journey is the traveling, let us be on our way to wherever this takes us, and enjoy the ride.

Marcus Roberts (born August 7, 1963, in Jacksonville, Florida) is an American jazz pianist who has achieved fame as a stride pianist committed to celebrating classic standards and jazz traditions. He must be re-incarnated because he plays music that's before my time, and it's music that I have never liked, but when he plays it I like it. I always feel as though I'm listening to some musician that was buried ages ago.

Right now I'm listening to "Arkansas Blues" by Marcus Roberts. In general I don't like "blues", Arkansas or otherwise, but I like what I'm hearing, and I know it's music they played when they had those crank type record players, and all those musicians are in "Gabriels" band, now that's "haunting" in more ways than one, because the music I'm hearing could not possibly come from someone born in 1963.

Edorr, Manha de Carnival, is there any other? While that's number one, I have so many versions that I lost count.

Enjoy the music.
Jperry, I gave what I found on "youtube" from a 1947 movie a listen, and it was kinda spooky, but I'm not sure if that's what you were referring to.

Songs and melodies that are haunting transcend musical genres. Glen Campbell's "By The Time I Get to Phoenix" is just such a song.

By the time I get to Phoenix she'll be rising
she'll find the note I left hangin' on her door
she'll laugh when she reads the part that says I'm leavin'
Cause I've left that girl so many times before

By the time I make Albuquerque she'll be working
She'll prob'ly stop at lunch and give me a call
But she'll just hear that phone keep on ringin'
Off the wall that's all

By the time I make Oklahoma she'll be sleepin'
She'll turn softly and call my name out loud
And she'll cry just to think I'd really leave her
Tho' time and time I try to tell her so
She just didn't know I would really go.

Those lyrics evoke a vision of someone staring down a highway through tear filled eyes, stopping to get gas in Phoenix and Albuqerque before reaching Oklahoma. It's certainly haunted me through the years.

Enjoy the music.
Edorr, I recall first hearing, "ne me quitte pas" by Shirley Bassey and it's haunted me every since. When she sang, "But if you stay, I'll make you a night like no night has been or will be again", I could just imagine that night. Yes, "Jacquel Brel's" ne me quitte pas, is very haunting, that's why so many people have sang it, although the melody without words is even more haunting.