Where is the significant point of diminishing returns on hi-end turntable?


For those that don’t know me I am newish to this game. Yes, I believe this chase for perfection in sound reproduction is a game. There are endless variables affecting the sound of every system and 100x that in opinions on each of these variables. I love cool $hit as much as the next guy but I am looking for an analog rig and I keep getting drawn into the seemingly endless "what about this option that costs tons more?". I started with a $6 to $10K budget and now I am considering a $25K setup (Table, cart and phono stage) after talking to a local retailer. I will be blunt, I want to be that guy in the Memorex ad from the 80’s that is getting blown away by his system (my impression is he is overwhelmed by the amazing sound coming from that speaker not the volume). Now that I have acquired some pretty descent stuff I am spending 15 plus hours each week listening and really enjoying this hobby. I don’t want to have any regrets and just be marginally satisfied with my setup but where do I draw the line? Back to my initial question; what is a reasonable amount to spend on an analog setup to achieve the best bang for the buck? I may be somewhat unique in that I don’t want to constantly be upgrading my equipment, I just want to buy great products the first time that are very satisfying and spend hours listening to great music. I don’t want to be the guy always chasing the next great thing.
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Showing 1 response by bagwell368

Get a used (but with a really good bearing) VPI Mk IV table, get what ever arm and cartridge you want (within reason), and viola:

set up your stereo on a concrete floor, put the table into a closet - the isolation you'll get will propel the tables performance upwards several rungs - maybe over $15k worth of table .  Also throw in some small area rugs, and ASC full traps in the corners, 1/2 traps on the back wall.  Lose the turntable dust cover also, just use a sheet of plastic, nobody is going to see it in the closet, make sure the arm comes off the table at the end of the vinyl to save your nerves and cartridge.

My rig is that table, a Lou Souther linear arm, and a Shelter 501 Mk 3, and a second "bass" table MF 7.1 with an AR 33PTG/II.  Linears don't do bass that well, and linears that are pushed by air?  No thanks.

You might want to try for a lower end base table, and borrow/beg other tables to check out.  If you can't tell the difference it's a vanity purchase.  From the 70's onward the best cartridge you can get on an arm that resonates at the right frequency, with the proper alignment, on a belt drive table that has the motor isolated from the table is most of the way.  Then you've got to get a killer step up - most pre-amps can't do the job.  Big transformer fan, but top notch SS units like Pass's do very well too.

I'd ignore MM cartridges and stick with low/mid compliance MC's, and look at the linear trackers, no way an arm on a pivot can touch a linear for quiet grooves and low wear.  My UHQR's sure appreciate it.