When have A/B comparisons led you astray?


I am curious how others have made A/B comparisons within their systems. What errors are encountered in this test? How do you avoid them?
I often think of my stereo system as a pair of ski goggles. Have you ever worn a pair of amber ski goggles all day and then been shocked at the colors presented to you when you take them off?
How does this phenomenon translate into the realm of sound?
mikewerner

Showing 5 responses by mikewerner

Blindjim - wow! Thanks for the answer, everybody.
It's a strange fish to fry, isn't it?
What I do is forget all about A/B'ng. I'm more with Elizabeth on this one. I just make a change.
I DO NOT LIKE Stereo Stores and if they're scared to turn it on, what about me?
Let IT GO!
So far I have been moving towards the dry which is nice in a wet climate?
Seriously, though, thought does go into it.
I read in another post a serious exposition that to know less is more - or ignorance is bliss?? What I know of musicians minds is that they are better at integrating the R and L halves of their brains than just about anybody else. (Could this be tested with the Stroop test?)
I'm confused by things that don't make sense, and there are a lot of things within music that do make a lot of sense. They are usually what the music is about -impressionism aside.
I'm sorry to digress. These are source issues.
So what do YOU say?
Sure, this is a broad topic... It's a struggle for me to remember what it was like before I was married.
But what I am interested in here is comparisons made within a Stereo System.
I do think that my impressions at least 1 week after a change has been made are more useful than my initial impressions - at least sometimes. This is one of the areas where it gets sticky. There are so many variables that initially a change for the worse may be a change for the better. But where do you get off this wheel?
For example, if you add a cable from the D/A that dries things out - it may sound worse, but is that a good thing?
The most I can say is that the more I am aware of the effects each component has on the sound the more I can perhaps predict the change the swap will make.
In the end is there no reality to this artificial medium?
I hear that 78's are awesome! I have some experience with Mono and I have heard at times more reality with my system in that format than I have ever heard from stereo.
Last night I went to my son's Violin Master's Class.
Small venue - maybe 10 to 15 people present.
Piano and violin, that's it.
I have been listening to my digital source lately at home. I'm having trouble figuring it out. I know it doesn't sound real to me, but why?
What I am getting at is last night I feel like my ears woke up - again. The real sound is hard to describe but I feel that I am developing a sonic memory for it through training.
Ear training. My A/B comparison is moving toward Live vs. Recorded. Live is not a shifting reference. It is repeatable.
The Master's teacher was speaking about chords on the violin last night. A single note is in tune with itself. Only when compared or contrasted with another note can it be said to be out of tune.
To play a chord correctly on the violin, hold one note fixed and adjust the other to tune the interval.
So I agree. Does your system sound like live music?
Time will tell.
How about when you shut your eyes, can you imagine that you are in the venue?
Sometimes I can.
With digital it's like I'm there but pixillated.
With analog, sometimes it works but usually there is smudge.