whats the very best sounding cables for realistic money

hi

I have found JPS LABS Aluminata combined with JPS LABS Kaptovators are still very high end power cables, the designs are quite old but purchased at second hand prices have represented very good sound and value. I decided to go with Townshend f1 fractal reference signal cables they created a completely open 3D holographic sound, i fill they are the most transparent signal cables in the world (my opinion) after DCT some other kind of magic is performed to create this special kind of copper, the designer Max Townshend is this time keeping this new process to himself,
all i can say is try them especially in a well balanced system where no added discolorations are needed just the true signal from your components the cables were 40 years in the making you should hear them yourselves, Imperial hifi have demo cables thank you 

Definitely Duelund DCA16AG as speaker cables. 

My speaker cables are 14awg Alpha silver plated copper. I have an old pair of DH labs T14 and they are the same, as terms of sound. I buy it from Mouser Element14 (Newark in the US) or Digikey. Though it depends how many speakers you have, as there would more cheaper wire out there if only getting a small run.

DIY interconnects, i like the switchcraft rca plugs, cheap and good, and Ok industries silver plated copper kynar wire - makes a beauitful detailed cable for the money. Again sourced from Mouser etc.

There is a few diy places nowaways apart from Mouser, who have more range, such as Duelund , Mundorf, Neotech ( I use there 24awg silver) and Eichmann rcas etc.

For the money, my favourite is the switchcraft and ok industries silver plated wire

Hi, question.

I have the Clear Day Double Shotgun cables with jumpers.

I would like to know how they compare with the Audioquest CV8 which were are also very good reviewed:

https://www.amazon.com/AudioQuest-LYSB00866JUHY-ELECTRNCS-Audioquest-CV-8-Spades/dp/B00866JUHY/ref=s...

I am looking for 3d deep soundstage and pinpoint imaging. I am getting that with the Clearday's, but would the above cable even improve on that more?

As a cable designer for 2 decades I can declare all cable designers want the same thing to design a cable that leaves no signature of it's own without distortion. The end result is to render a true musical presentation, in tone, realism, openness, and satisfaction. It's an amazingly difficult goal. In the end we all want to hear the recording as if we are there experiencing it first hand.