What the *#$@ happened??


I'll keep this short, just hoping someone can let me know what's going on. I changed out the platform my TT was on to a much denser wood, and I'm not really happy with the results. The good, I can hear more detail in the music, subtle nuances are more prevalent, better instrument separation, especially in complex arrangements. The bad, the whole stage moved back and got flatter, it lost depth. And the 3 dimensional characteristics of the singers voice also lost luster, became flatter as it were. It almost seems like I'm listening to a stereo now instead of a live performance. I thought the heavier wood would improve the sound, not degrade it. 
Anyone know why this happened?
128x128shawnlh

Showing 4 responses by geoffkait

Technically the Symposium is not a vibration isolation device. Isolation devices are technically not vibration absorbers either.

Happy holidays 
"Technically Symposium is better than wood."

Technically it's better than peanut butter, too.  Or say a can of Spam.
While I certainly appreciate the length of the explanation of various woods, I d respectfully like to disagree strongly on the underlying premise - that density of the wood is what’s important for the sound. In fact the better sounding woods such as Mpingo wood, maple and spruce, to name a few, are not particularly dense. I could post the table of wood densities but I’ll leave that for the student. It might have been I who mentioned ironwood as I often use that wood as an example of a very dense wood that doesn't do much for the sound, as a form of irony.  Get it?  Of course ebony has a wide usage in musical instruments as well as Mpingo discs and other audiophile products. I used to have an ebony turntable clamp product myself way back when.
What's the first thing I'd do to the Statement turntable?  That's easy.  I'd add another five of those barbell weights to the ballast to get lower resonant frequency.