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What speaker – under $10k – has the best timbre and tonal qualities?

Several years ago, a prominent reviewer had this to say as he was praising the natural and life-like tonal qualities of a particular speaker:

It’s [speakers] like these that make me question the priorities of audiophiles who relegate accuracy of timbre to secondary status. How are the richness and color of instruments, voices, ensembles, and textures to be reproduced in all their infinite variety and beauty if a loudspeaker has less than accurate reproduction of timbre? What do dynamics, imaging, detail, transparency, and the like matter if voices and instruments don’t sound like themselves?

I’ve come the same realization, late in the game. I recently made a lateral move from one of the most popular of recent speaker models to a different speaker, because it sounded so much more natural and realistic in timbre. I sacrificed a touch of image precision in doing so, but it has been well worth it. The sound is so much more engaging. It’s like going from a high-resolution black and white photograph – which is very detailed and impressive – to a color version of the same photo, but with slightly less resolution. The color version offers so much more in terms of realism.

So I’m now contemplating the purchase of what I hope will be my last speakers, with the objective of realistic, natural, and rich (but not artificially warm) tone being the primary attribute.  

What speakers, under $10k, would you recommend? (I’m driving them with a PrimaLuna Prologue Premium)


wester17

Showing 1 response by audiokinesis

audiokinesis
2,765 posts
 
I’m not sure which speaker is the "best" when it comes to timbre, but imo it will probably be one which does an excellent job of getting the reverberant field right. Perceived timbre involves both direct and reflected sound, and in general a spectral discrepancy between the two degrades timbre and can even result in listening fatigue.

That delicious rich timbre in a good seat in a recital hall or concert hall is largely a result of a reverberant field done right. Obviously we don’t have playback rooms that size, but we can at least make a serious effort to get the spectral balance of our reverberant sound correct.

Not that this is the only thing that matters, but ime it’s one of them, and one which is often overlooked.

If I might ask a question, wester17, how much freedom do you have with speaker placement?

Duke
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