What's phase 0 degree - 180 degree?

Actually, DT, you have found the solution to all your questions just by experimenting. But you need the technical reasoning behind it all, which I will try to help with.

1. Phase is whether the speaker cone is moving out with a signal that is also moving out. Think of a trumpet blast as an outgoing phase launch, one can feel that air move towards you. Another example is talking vs. talking while breathing in (yes, it sounds weird). You might say it should always be 'in' phase or 0, but some electronics change the absolute phase of the recording simply by the number of stages of amplification they have in them (even - in phase, odd - out of phase).

2. This is the easy one. You want the one that "fights" less with your main speakers, meaning your speakers are in one phase and your sub in the opposite, creating cancellations. And that means....more bass output. So 0 is correct.

3. It depends on your ears; if the crossover is fairly high, you may hear a hollowness in the music. But set it at 0 and you'll get to listen to all the bass you paid for.

Hope this helps!

Tsouthworth is right on the money. My preamp inverts the signal so I must swap speaker leads minus to plus and plus to minus. With your setup I would only have to flip the switch.

worldcup...for a detailed explanation to your questions let me refer you to lars fredell's article on the subject in the summer 2000 issue of ultimate audio mag. the terms 'phase' and 'polarity' are used interchangably most of the time.when cds or sacds are recorded they are recorded either in 'phase' (absolute polarity)( 0 degrees) or out of 'phase' (reversed polarity)(180 degrees).recordings that are 'in phase' or absolute polarity' will have deep taut bass good sense of air and transparency and dimensionality.those out of phase ( reversed polarity) will have bass that is not as deep or taut,sibilance might be too pronounced and strings too glaring.( i'm quoting lars here)the 0 degree and 180 degree designation on your sub allows you to dial in absolute polarity or switch it 180 degrees. some record companies cds and sacds (sony for one) are recorded out of phase.(the U.A. article has a list of recording labels and the usual polarity they record in).i would get the mag. and refer to the list when playing cds or sacds and play with the switch. your ears can usually,like yours already have,tell when a recording is 'in phase' or 'out of phase' ( absolute polarity or inverted polarity) hope this helps a little. dave smith 'calloway'

Yo Worldcup86, Phase in simple terms is the direction a driver cone is moving relative to the electrical signal being sent to it. In a perfect world, all the drivers in a speaker system would move out at the same time and in at the same time. That way they would be "in phase" with each other. But in the real world, we have crossovers (inside the speakers) that change the phase angle of the various drivers relative to each other. In extreme cases, if the phase angle between two drivers is 180 degrees apart, then they will cancel each other out at overlapping frequencies. This will cause a dip in the frequency response in the region where the crossover point is. Depending on how low your main speakers will go and where you set the rollover frequency on the sub, this region can be fairly large or very small. Lets suppose that your main speakers put out bass down to 50hz. and you want to achieve the flattest frequency response possible. If you set the sub crossover point to 40-45hz then the sub will be rolling off about 3db (half as loud) at 50hz. The main speakers will be rolling of about the same amount and you'll have enough overlap that you shouldn't have a big bump or a big dip at 40-50hz but this is also quite dependent on the room characteristics and sub placement. Once you have the crossover point set, then you can experiment with phase setting. Ideally, you want the cone of the sub moving out (toward the room) when a bass note, gunshot, explosion, or any other loud sound occurs. That will provide the most "felt" impact. If the cone is moving in (away from the room) then the air in the room is not compressed at the right time and some of the effect is lost. Once you get the sub in phase, then the main speakers need to be checked as well. You can change the phase by reversing the speaker wires (red on black) if you need to.

when the audio signal goes through an electronic crossover in either in the sub or processor, the phase of the signal is changed. The phase contol on the sub allows you to readjust the phase of the sub so that it is in phase with your main speakers. When the two are in phase, the bass will be louder. Ideally, the phase contol should be adjustable from 0 to 180 degrees not just 0 and 180.

I know this thread is close to 2 decades old, however I felt the need to share. To answer your question, the switch is simply an easy way to set speakers up for an Isobaric loudspeaker enclosure with a cone to cone configuration without having to hard wire one speaker to be approximately 180° out of phase. One woofer pushes as the other pulls is the best I can describe how it works, without going all "M.I.T.". The long story made short is that you end up with the same thump in half the space. Four 18's in the same sized enclosure as a typical two 18's enclosure. Pretty awesome right? Below is a link to the Vue website, which is a great M.I.T.-Light explanation of this design. Have fun!!

http://www.vueaudio.com/isobaric-subwoofer-design/

I dont know what everyone else is talking about, but just cause I don’t know what they mean doesnt infer they are wrong. just that I have a different understanding of phase, which may just be one concept of many. But I have my degree in audio engineering, so I think this applies here particularly. Phase is a term that describes the relationship between two Sine waves. All sound is made up of waves, and a sine wave is simply a smooth curved symmetrical wave. And all frequencies have shorter or longer waves which means the time it takes low-end bass to reach your ears at its peak point of wave. Keep in mind phase on will do something in a stereo format, because phase shifting on occurs when the sound of audio does not all match up exact. Mono signals dont have any competing sound fighting for the air next to your ears. Not even headphones will correctly reproduce a phase issue cause each ear has a dedicated speaker which the sounds never cross from each speaker. So, when sound is considered "in phase" that means you double your amplitude of whatever sound which comes out to be a 3db sound gain. it gets louder. Sounds cool, however, if you were to have the same exact sound coming from left and right speker and were in phase, you’d essentially just get a 3db boost in mono. Now, phase-only is in phase for one listener in one position. if you were to move from the spot you hear in-phase audio, then the difference in time of the sound wave will no longer match up 100% which is called phasing. go all the way until your sound wave peaks at the complete opposite and mirror of each other, that is called "out of phase" which means, no sound. Sound is still math and when you take a phase of +1 and add out of phase of -1, they cancel each other out. So as you probably guess it, any variation of phase between 1 and -1 will have differing degrees of sound elimination, which as an audio engineer is an invaluable tool to have because when using multiple mics to record singe instruments, like drum overheads, or top/bottom snare, the sound can be crappy because of phasing issues. we just call a 180 degree phase "flipping the phase" which essentially kills the sound you were getting and brings back everything else you could hear. Works for room noise. If I have a track with room noise thats hard to solo out with eq, I simply can record a sample of my room, then flip the phase on a parallel track which willl eliminate the room sound within the track i want to restore. When it comes to bass phase, trust me, there is no 1 is better than the other. Cause all music is produced and mixed differently. Some song may sound better at 0 and other at 180. It also depends on what you want. If you have a very thick bass that kinda bottoms out, flipping phase often will tighten up that bass and make it more staccato.