What's My Problem?


OK, here's the situation . . . . hoping some of you with more knowledge and experience than I have can help me out.

On 2-channel listening, my system sounds great at low levels -- say at 9 o'clock or less on my VPC-1 passive preamp volume. Lots of openness and air, good imaging, lots of space around instruments. Of course, dynamics and bass suffer, but that's to be expected.

Between 9 and 12, the sound starts to get harsher and the soundstage begins to close up -- orchestral stuff sounds much more confused and congested. Above 12 o'clock, it's really not worth listening to.

These aren't very high levels -- 9 o'clock is my "late night with the wife sleeping down the hall" listening level, and 12 o'clock doesn't get Verdi's "Requiem" to real-life SPLs.

My first assumption is that my amplifier just doesn't have enough juice. But the RB981 puts about 200 wpc into a 4 ohm load, and I would think that would be enough to get to at least decent levels, even with my admittedly power-hungry NHT 2.3As . . . .

Alternately, I thought that maybe the 9000ES/RB981 combo wasn't ideally suited for a passive preamp. I understand that component matching is critical here, but I'm not really clear on how it works . . . . the volume gets loud enough with no problem, it's just that the quality suffers.

Then again, it could simply be "louder=more annoyance from digital harshness," and I need to replace the 9000ES with a better Redbook CDP. But it seems to me that if the CDP was to blame, the soundstage and "airy-ness" wouldn't change much as the volume increased.

Suggestions would be greatly appreciated!

Thanks!

Pat
tsrart

Showing 1 response by audiokinesis

Pat -

I'm not familiar enough with your speakers for this to be anything more than speculation, but here goes...

There's a nasty little thing that happens to most drivers called "compression". And, different drivers introduce different amounts of compression. There's a correlation between relatively high amounts of compression and low efficiency:

Suppose you take an 85 dB efficient woofer and double the input power, perhaps going from 1 watt to 2 watts. The output goes up by 3 dB, right? In theory yes, but not in practice. In this case, the driver's output only goes up by about 2.3 dB. The rest of that energy goes into heating up the voice coil and magnet structure. That .7 dB loss is compression.

Now let's say we have a 91 dB efficient tweeter. The compression will be less - with a doubling of power, we might get 2.7 dB (still not a full 3 dB, but closer).

Because of their differing compression characteristics, these two drivers will only match up at one loudness level. Let's say we pad the tweeter down so that, at 80 dB, the relative level of the two drivers is perfectly balanced. Down at 70 dB the woofer will be about 1.7 dB louder than the tweeter, so the tonal balance will be a tad dull on top. Down at 60 dB it's even worse - the woofer is 3.4 dB louder than the tweeter, so the speakers are duller and somewhat lacking in articulation. Going in the other direction, up at 90 dB the tweeter will be up by 1.7 dB, and the sound a bit forward and a bit bright. At 100 dB, the tweeter is up 3.4 dB, and the top end becomes a bit aggressive.

I don't know if this is what's happening in your situation, but it can happen in the real world.

Best of luck,

Duke