What makes one good amp sound better than another?


I currently own a pair of half-decent speakers, Martin Logan SL3, driven by a Adcom 5503 3-channel amp (one channel for my center speaker). This amplifier is rated 200WPC in 8 ohm, and 350WPC in 4 ohm, and has no problem driving the MLs. I have been told since the day I bought the MLs that these speakers will expose any deficiencies within my system my amplifier included, because its "transparent" sound. Now, I am thinking about potentially upgrade the amp to something more "hi-fi", maybe Classe or Bryston, or Parasound's new Halo amps. However, I still don't know how one amplifier can sound so much different or "better" than another, assuming both are solid state and relatively well-executed, with large power supplies and capacitors etc. For example, I used to think Krell is the pinnicle of amplifier designs, but then I read from various forums that Krell amps are good for bass but have rolled off highs. How is it possible (I mean rolled off highs?). If one lookes at their spec, I am sure the frequency response is not much different from other high-end amps. What determins the sound of a high-current, mid-to-high wattage amplifier? When people use words like "fast", "transparent" to describe an amplifier, what does that mean? How can one amplifier generate wider sound stage than another? Even if I have money for a $3000 or higher SS amp, am I really going to gain much more than my Adcom?
loujo

Showing 1 response by nrchy

You are either a glutton for punishment or just got a new can opener, and wanted to see what kind of worms were in this can!

In spite of the fact that basic amplifier design has not really changed that much in the last fifty or sixty years, the differences are potentially extreme. Many of the changes have been designers adding their own tweeks to a fairly basic design.

At the risk of being overly simplistic, every connection is a loss of signal, and in my experience even things that are not in the signal path affect the signal path.

Lots of people were impressed when Nelson Pass went with a single gainstage with the newer X series amps. The sound benefitted from the shorter signal path.

I currently own my second Krell amp, but both of mine were from the FPB series. I can tell you without hesitation or qualification that there is no treble roll off with either of these amps.

As far as your question about spending money and getting a return for your investment, I will relate another experience. I had an Aragon 8008st amp. It was 200 wpc doubling down as the impedance was halving, down to 1 ohm. For no good reason I decided to sell the Aragon and replace it with a Krell FPB 200. On paper the two amps were virtually identical. There should have been no real difference. In my listening room the difference was night and day. Rather than going into all the details, you can see my review, if you'ew interested. http://forum.audiogon.com/cgi-bin/fr.pl?ramps&1043208372&openusid&zzNrchy&4&5#Nrchy
You stand to gain a lot, or you may gain nothing, but don't be fooled by specs and people who want to talk about the science of audio...

What was the question again???