Buscis2, I have been looking at the Origin Live Silver, which is a heavily modified RB250 and favored by some Analog gurus here on the 'Gon. But, if some great used package deal comes along with a nicer arm, I'd certainly consider that too. Still looking. Thanks.
What makes a good tonearm?
I'm entering the world of decent analog and believe I understand why the turntable design is critical (e.g., vibration isolation, balance and speed stability) but am scratching my head a little about tonearms. What makes a good tonearm good and a great tonearm great? The resulting sound is always the key, but what design characteristics contribute to that sound? Tonearms are a big investment and can be tough to change later so I'd like to understand more about them before I buy anything. Thanks in advance.