What is “warmth” and how do you get it?


Many audiophiles set out to assemble a system that sounds “warm.” I have heard several systems that could be described that way. Some of them sounded wonderful. Others, less so. That got me wondering: What is this thing called “warmth”?

It seems to me that the term “warm” can refer to a surprising number of different system characteristics. Here are a few:

1. Harmonic content, esp. added low order harmonics
2. Frequency response, esp. elevated lower midrange/upper bass
3. Transient response, esp. underdamped (high Q) drivers for midrange or LF
4. Cabinet resonance, esp. some materials and shapes
5. Room resonance, esp. some materials and dimensions

IME, any of these characteristics (and others I haven’t included) can result in a system that might be described as “warm.”

Personally, I have not set out to assemble a system that sounds warm, but I can see the appeal in it. As my system changes over time, I sometimes consider experimenting more with various kinds of “warmth.” With that in mind…

Do you think some kinds of warmth are better than others?

Thanks for your thoughts.

Bryon
bryoncunningham

Showing 2 responses by stanwal

Recognizing that the term "warmer" appears to be impossible to define with any degree of consensus I would add that I find soft dome tweeters "warmer" [whatever that means] than metal domes. I base this on the Scanspeak ones in my Spendor SP 1/2Es and S 100s and Gamut L5s and the Focal Titanium ones in the Mini Utopias I use to have and in my friends Wilson's. The metal domes seem wonderfully detailed and accurate but somewhat "cold". Others would doubtless have other reactions and I am sure there are differences in their behavior that are not reveled in simple frequency response tests.