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What is “warmth” and how do you get it?

Many audiophiles set out to assemble a system that sounds “warm.” I have heard several systems that could be described that way. Some of them sounded wonderful. Others, less so. That got me wondering: What is this thing called “warmth”?

It seems to me that the term “warm” can refer to a surprising number of different system characteristics. Here are a few:

1. Harmonic content, esp. added low order harmonics
2. Frequency response, esp. elevated lower midrange/upper bass
3. Transient response, esp. underdamped (high Q) drivers for midrange or LF
4. Cabinet resonance, esp. some materials and shapes
5. Room resonance, esp. some materials and dimensions

IME, any of these characteristics (and others I haven’t included) can result in a system that might be described as “warm.”

Personally, I have not set out to assemble a system that sounds warm, but I can see the appeal in it. As my system changes over time, I sometimes consider experimenting more with various kinds of “warmth.” With that in mind…

Do you think some kinds of warmth are better than others?

Thanks for your thoughts.

Bryon
bryoncunningham

Showing 1 response by nilthepill

nilthepill
842 posts
 
Some times, it could be as easy as swapping the source I/c. Not to alter freq response but take that electronic tinze/noise surrounding the notes. I have three sets of cables at each source, same corresponding brand for each level of sound i desire- neutral, slightly warm and warmer. You will be surprised how 'listenable' most music would become... true changing cables every once in a while is a chore and one set of cables is always your primary choice. It is no different than some folks trying different tonearms, cart, diif DAC sampling, diff sources...

One characteristic that warmer sound gets you is the image size ( overall- fundamental and harmonics and air) of instruments become life size which I personally consider primary requisite.
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