What is the chain of importance in analog system ?


i seem to hear different opinions on this matter.
An old audiophile chap told me that the most important is the cart, arm, table, phono stage (in that order).
On the other hand, some analog guru said, that the most important is the phono stage, then the table, arm, cart.
One friend, even said, all is important!
I tend to agree that all is important but we don't have deep pockets to afford an all out assault on a tt system.
Perhaps some people here can share their views.
thanks in advance.
nolitan

Showing 3 responses by dopogue

It's all important. As you say different folks, different chains. Mine goes turntable, tonearm, and a tie between phonostage and cartridge. I've heard cheap carts sound amazing on great platforms, but I've never heard a high-priced cart sound good on a cheap platform.
Swampwalker, I clearly shortchanged my former phonostage. Yes, there was a "SuperIt" (itself modded) at the center of a large box -- as large as the Rhea --fed by a tubed power supply the size of a power amp. So beating it is not a casual feat, and the Rhea is not going anywhere soon. Especially after the last rounds of tube- and cable-rolling (balanced HMS Gran Finale between Rhea and Calypso).

Cheap= inexpensive in my book. Sorry about that :-)
Since I have more money in my phonostage (Aesthetix Rhea, $4K MSRP) than anywhere else in the vinyl setup, I really should be in the phonostage-first camp, I guess :-)

But after going from a VPI TNT Mk. II with SDS to a replinthed idler-drive Lenco TT that made a truly profound improvement, I'll stick with my original chain.

And I really don't think the Rhea sounds much if any better than my old much-modded NYAL Moscode "SuperIt" (on MM carts) though it sure is a lot more flexible and user-friendly. Dave