All electronic equipment has some electrical output even when there is zero signal input, and this electrical noise becomes audible noise when a speaker is hooked up.
Some people, particularly audiophiles, would say that what comes out when there is zero input is the noise floor. This definition certainly has the merit of simplicity. For the curious, a more analytic definition follows.
If you did a spectral analysis of the noise you would probably see several frequencies with high amplitude. (A spectral analysis is just a plot of the noise level at each of many frequencies). Such frequencies with high amplitude generally can be related to a particular aspect of the circuitry, and can often be reduced by targeted redesign. It's a safe bet that 60 Hz, and harmonics such as 120, 180, 240..etc will show up in the USA, and 50, 100, 150 ...etc in some other countries. The 60 and 120 Hz frequencies are so common that we actually have a name for them, "hum". After identifying all these high amplitude frequencies, fixing some of them, and disregarding others, there will remain a relatively low amplitude at all other frequencies. On a plot this looks like a floor, out of which poke the high amplitudes previously mentioned. The floor may slope up or down vs frequency, but will be smooth. The floor as I define it represents the noise which cannot be fixed (except perhaps by a completely different circuit). Actual audible noise may be higher. For example: I would not include hum in the noise floor, because you ought to be able to fix it.
Some people, particularly audiophiles, would say that what comes out when there is zero input is the noise floor. This definition certainly has the merit of simplicity. For the curious, a more analytic definition follows.
If you did a spectral analysis of the noise you would probably see several frequencies with high amplitude. (A spectral analysis is just a plot of the noise level at each of many frequencies). Such frequencies with high amplitude generally can be related to a particular aspect of the circuitry, and can often be reduced by targeted redesign. It's a safe bet that 60 Hz, and harmonics such as 120, 180, 240..etc will show up in the USA, and 50, 100, 150 ...etc in some other countries. The 60 and 120 Hz frequencies are so common that we actually have a name for them, "hum". After identifying all these high amplitude frequencies, fixing some of them, and disregarding others, there will remain a relatively low amplitude at all other frequencies. On a plot this looks like a floor, out of which poke the high amplitudes previously mentioned. The floor may slope up or down vs frequency, but will be smooth. The floor as I define it represents the noise which cannot be fixed (except perhaps by a completely different circuit). Actual audible noise may be higher. For example: I would not include hum in the noise floor, because you ought to be able to fix it.