Thanks to Doug and others who helped on my thread. I think I have a better grip now.
Like Doug had previously said, adjust for proper temporal integration of the note and its harmonics. Works best for my on piano as I am more familiar with the sound. SRA too high would put the harmonics ahead of the note and vice versa. Bass drums and strings pizzicato also good for me.
Properly adjusted SRA will also enhance the soundstage, more 3D and less congestion. IMD is minimized when SRA is optimized. Poor SRA will increase IMD and muddy up soundstage.
Way too high or low setting will change high and low frequency balance but IMHO, the setting needs to be way off (varies with cart). It is also tricky adjusting SRA just listening for tonal balance. If room has inherent frequency anomalies, it is very easy to fall into using the SRA as tonal control and ultimately arrive at wrong setting and compromise other areas.
Changing VTA changes VTF slightly and will alter geometry very slightly ( longer arms less affected). Recheck VTF if VTA is changed a lot >2mm.
Best way to learn VTA setting is using the adjustment itself. Start by aligning the arm horizontally which usually puts VTA at 22 to 23 degree. Adjust in 0.5mm increments. I would suggest 5 increments higher and 5 increments lower. Listen for everything mentioned here. Try and maintain VTF constant. You will come to a setting that you like the most and probably the correct SRA/VTA.
Good luck
Like Doug had previously said, adjust for proper temporal integration of the note and its harmonics. Works best for my on piano as I am more familiar with the sound. SRA too high would put the harmonics ahead of the note and vice versa. Bass drums and strings pizzicato also good for me.
Properly adjusted SRA will also enhance the soundstage, more 3D and less congestion. IMD is minimized when SRA is optimized. Poor SRA will increase IMD and muddy up soundstage.
Way too high or low setting will change high and low frequency balance but IMHO, the setting needs to be way off (varies with cart). It is also tricky adjusting SRA just listening for tonal balance. If room has inherent frequency anomalies, it is very easy to fall into using the SRA as tonal control and ultimately arrive at wrong setting and compromise other areas.
Changing VTA changes VTF slightly and will alter geometry very slightly ( longer arms less affected). Recheck VTF if VTA is changed a lot >2mm.
Best way to learn VTA setting is using the adjustment itself. Start by aligning the arm horizontally which usually puts VTA at 22 to 23 degree. Adjust in 0.5mm increments. I would suggest 5 increments higher and 5 increments lower. Listen for everything mentioned here. Try and maintain VTF constant. You will come to a setting that you like the most and probably the correct SRA/VTA.
Good luck