to @arafiq ’s last comment
i believe that as we stay immersed in this pursuit for some time, we each become conditioned to a certain type of sound, a style of presentation that sounds right to us
that is a good thing, as part of what is gained in this process is to develop clear bearings on what pleases us, what brings joy and comfort to us - at the start of the journey, it is a bit of a random walk, then over time, after hearing much music, live, and reproduced, in many many venues, we rule out what we don’t like and narrow the field repeatedly
i personally started with bbc monitors in the early 80’s, from rogers, chartwell, spendor and so on, big and small ... to this day, i set up my beloved pair of spendor sp1’s from 1989 and they just sound oh so right to me - other newer better speakers may sound different, and more impressive/better in some respects, but the sp1’s clarity, palpability, especially of the midrange, then how the upper and lower frequencies support and envelope those voices and central instruments, it is simply right to me... here, 40 years later, after travelling through quads, proacs, magnepans, jbl's, ohms, martin logans, vandys, thiels, jm labs, atc's, horn loaded, ribbons, open baffle, i come back to sp100 r2s and harbeth mon 40s... and that is a good thing, a really good thing, for me :)
i believe that as we stay immersed in this pursuit for some time, we each become conditioned to a certain type of sound, a style of presentation that sounds right to us
that is a good thing, as part of what is gained in this process is to develop clear bearings on what pleases us, what brings joy and comfort to us - at the start of the journey, it is a bit of a random walk, then over time, after hearing much music, live, and reproduced, in many many venues, we rule out what we don’t like and narrow the field repeatedly
i personally started with bbc monitors in the early 80’s, from rogers, chartwell, spendor and so on, big and small ... to this day, i set up my beloved pair of spendor sp1’s from 1989 and they just sound oh so right to me - other newer better speakers may sound different, and more impressive/better in some respects, but the sp1’s clarity, palpability, especially of the midrange, then how the upper and lower frequencies support and envelope those voices and central instruments, it is simply right to me... here, 40 years later, after travelling through quads, proacs, magnepans, jbl's, ohms, martin logans, vandys, thiels, jm labs, atc's, horn loaded, ribbons, open baffle, i come back to sp100 r2s and harbeth mon 40s... and that is a good thing, a really good thing, for me :)