Warm vs Revealing—the struggle for balance


For me my upgrade path has been finding balance between warmth and dynamics/detail.

It’s looks something like this: find satisfaction (Raven Nighthawk + Tekton), get upgrade bug seeking more dynamics, get more revealing gear (Ma 352), feel fatigued, buy new tubes (Telefunken) and speakers (SF Olympica); want more dynamics (Mc 601 + c50), I immediately get tube pre because of fatigue (c2300), still too sharp (new tubes and DAC); excellent balance, but of course sell speakers, new speakers too revealing, buy Cardas cables to replace Wireworld (ahh just right for now, but may be a little more revealing might be nice).

And oh yeah, working on fixing the damn room problems!

Chasing the unicorn. 

Anyone else doing this back and forth?

w123ale

Showing 1 response by pmiller115

There is no question that this struggle is frustrating but a couple of things you might want to consider:

1. At least you understand the struggle and the sought after solution -if there is one.

2.Given that the recording engineers that are involved in the recording process for the material you are listening to are also afflicted with which is best and that confusion likely manifests itself in the recordings you listen to--i.e. one is too subdued without enough detail and definition and the next is waaaaay too sharp/harsh but with a lot of detail.  

 I am going to suggest that no one system is enough to deal with these two issues since there is no consistency from one recording to another. What you are doing is very good for the economy if not good for your personal economy but I wonder if there is any one system/combination of components that is going to be pleasing from one  recording to another.

3. I just bought a Van Morrison recoding and hands down it is the worst recording I have ever heard-there is no system that could fix this recoding. I have reached a point where I wonder if some recordings are presented with the thought in mind that a re-mastered and better version can be sold next year. Top flight performers and their recoding companies can afford the best engineers and likely already have the best equipment but yet some of the recordings offered are unlistenable.