War of the Worlds, The MiniDSP SHD vs Analog


I could have put this topic under "Digital" but then I would have been preaching to the choir and it would not have been any fun. 

Last week the old TacT 2.2x processor I have been using for some 25 years finally lost it's main DSP processor and I was left with an analog preamp without subwoofer crossovers. I checked with DEQX and my new Pre 8 is still two months out so I figured just for fun I would get a very inexpensive MiniDSP SHD digital preamp to hold the fort until the DEQX unit arrives. 

MiniDSP is located in Hong Kong and like many Asian products the instruction manual does not translate well. It did not help that my current computer is Windows 11 and their manual editors only made it to Windows 10, but who ever said life should be easy. After 30 minutes of crossed eyes I tossed the manual and dived in head first. 

The SHD Dashboard is relatively easy to use. There are four output channels. Each channel can be assigned a crossover filter, an EQ curve, gain , delay, mute and compression. The crossovers can be adjusted in one Hz increments, 1st to 8th order, butterworth or L-R curves. Wonderful! The only problem is there is no way to do this on the fly so making comparisons is more difficult. There are output meters for all four channels and two main output meters. They are totally worthless as there is no peak hold function and the refresh is so slow you can count it. 

The SHD uses Dirac Live room control which is done online. The SHD sends measurements to the Dirac computer that calculates the appropriate filters and sends them back to one of four presents in the SHD. All you have to do is click on the calculate button and you are handed seamlessly over to Dirac Live. Dirac shows you where to place the microphone and takes just three sine sweeps for the measurement, then you move on to the next position. It takes a minimum of five measurements taking a total of maybe 10 minutes.  A very nice feature is you can switch the Dirac correction on and off with the remote without interrupting the crossovers so you can really tell the difference between corrected and uncorrected.  

The SHD is a relatively inexpensive unit made to Asian mid fi standards. Because the heavy hitting is being done online by Dirac it does not need an expensive, hot running processor and is very cool running. It should last a very long time and it gives you all the remote codes so you can program it to almost anything. 

Now on to performance. Dirac Live does it's job well. Imaging tightens right up and it integrates the subwoofers perfectly. Switching it in and out is an epiphany and a worthwhile experiment for any audiophile including all you analog dweebs. Unfortunately, you get what you pay for and there is a faint graininess that overlies the sound of the SHD. It does not have the silky smoothness I am used to. 

So, what is the point? If you were nervous about spending the money on a high end processor but wanted to know what one could do for you, particularly if you use subwoofers this is a great inexpensive way to get your feet wet before you dive in. I do not think it is an end game unit for any of you here in analog. You will appreciate what it does but will always be missing that last word in analog performance. Those of you with subwoofers will be permanently hooked so be prepared to spend another $10K or do not get started. I am absolutely sure that last word in analog like performance will be available shortly. If my old TacT could do it I'm sure with modern tech Trinnov and DEQX can also. For the young Audiophile on a budget who has to have subwoofers (that would have been me 40 years ago) the SHD is a no brainer. 

128x128mijostyn

Showing 6 responses by mijostyn

@erik_squires , I have plenty of experience with JL Audio's subwoofers and crossovers. There is absolutely no comparison to digital crossovers and full frequency room correction. Even the diminutive MiniDSP wins that battle hands down in combination with Dirac Live which is a web based Room Correction protocol. Where it is let down is in the quality of it's DACs which is, I suspect, the origin of the graininess I perceive. 

For people with systems in the 10 to 30 thousand dollar price range, particularly if subwoofers are being used, the SHD is a real winner.  

@erik_squires

 Then the question would be would substituting DACs improve the performance. There are two SPDIF outputs one for channels 1+2 the other for channels 2+3. It is a unique possibility. Would it get you to the performance of a Trinnov Amethyst or DEQX Pre 4 or 8? Two Benchmark DACs at $4000 for the pair plus $1500 for the SHD with UNIK2 for a total of $5500. 1/2 the price of the Trinnov. Not sure what the DEQX is going to cost yet. I use an outboard ADC for the phonograph so there are no other considerations for me but others with phono stages to digitize might be in for further expenses. It would be a very interesting experiment ,but I am already in for the DEQX hook line and sinker. This is as far as I am going to go with this. The SHD has already been resold. 

@fuzztone , I think you are probably right, but this is a very temporary setup for me and the goal was to spend as little as possible. If you can afford two high quality DACs by all means, go for it! 

I spent a few hours listening to a wide variety of music last night flipping Dirac Live in and out by remote. Dirac live tightens everything up. The image snaps into focus and the subwoofers disappear even though bass power improves. These changes are not remotely psychological. A pure analog person might say that if you got rid of all the DACs and switched to an analog crossover you can achieve even better results. I spent 20 years approaching the problem that way. I have had subwoofers since 1979. You will never get these results in total manually, never. I think everyone can be comfortable that any platform running Dirac Live will achieve great results. 

@erik_squires , TacT audio imploded also. They were way ahead of their time, too far ahead. Their Theater processor also lacked HDMI. Had they stayed alive it would have been added. The remnants of TacT you know as Lyngdorf.

Time and processing power march on and the new DEQX has a 64 bit, floating point operating system with a signal to noise ratio of -140 dB. Clipping and volume issues will be things of the past. I expect the benefits to far outweigh any deficits. 

@erik_squires , I do not know much about that. There are issues that have to be dealt with like content protection, but it would seem to me when you are trying to get a format established you want to bring everyone into it you can. It is certainly not an issue the 2 channel world is use to contending with and in reality they do not have to. For guys who use their 2 channel setup for theater like I do it can be a pain like if you are handed a TV box that only has an HDMI audio output. I'm sure there are adapters. The DEQX does not have an HDMI socket on it and unlike most other companies do not seem to have any interest in theater. Suits me.