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VTF, VTA, SRA, and 92 degrees - question

I'm familiar with the logic that has been out there for a while about setting SRA at 92 degrees for what is considered the optimal styus position, based on a lot of analysis done by Elison and others. My question is, if VTF and VTA are set per cart maker's recommendations (let's discount Anti-skate for this discussion even though it would come into play), then wouldn't the SRA be automatically set optimally per the manufacturer's intention? Assume a cart that is built to the company's design parameters - no bent cantilever, no offset stylus etc.

Take a Benz cart for example. Many (if not all) of them specify a VTA of 20 degrees. So if VTF (and yes A-S) and arm height are set so that when all's said and done the VTA is 20 degrees, isn't that what it *should* be set at based on how Benz expects that cart to perform?

I ask because I set the SRA on my Benz to 92 degrees going by that camp, and when I checked the SRA it was at - guess what - about 22 degrees. That kind of suggests Benz expects the stylus to be at 90 degrees relative to the record. Isn't that how they've designed it? Don't I run the risk of having to compensate in other ways if the cart winds up exhibiting tracking problems at an SRA that does not support the specified VTA?
tonyptony

Showing 2 responses by rauliruegas

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rauliruegas
12,831 posts
 
Dear Tonyptony: +++++ " whether there is any relationship between SRA, VTA, and the ability to track. " +++++

yes, exist a relationship. Now, normally we are very near of the " perfect " VTA/SRA cartridge set-up, tiny deviations from that " perfect " parameter does not affect the tracking cartridge abilities but if we have a severe deviation then that could affect those cartridge abilities especialy on high velocity recorded grooves and in the inner part LP grooves.

Now, a difference of one grade inj SRA is audible and this depend on the audio system resolution and quality of the cartridge and quality of the other cartridge parameters set up.

About the difference in sounds becaus ethe thickness of the LP, example from 120 grs to 200 grs, we can hear the difference because of that and not only because the SRA change but because the overhang change.

Analog always is a compromise and many times that compromise comes from the very poor quality control that have all the LP manufacturers. Stringreen/Atmasphere posted the why's.

Regards and enjoy the music,
R.
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rauliruegas
12,831 posts
 
Dear Atmasphere: +++++ " are really well done.... " +++++

how is that? which are your references about because all that depends on that refrences/standards?

For me " well done " means: LP hole centered and no single warps.

For years now I usually bought no less than new 15 LPs each month, some times over 25 LPs and I never found out one/single LP that is " well done " builded.

Each one of us are paying over 30.00 ( even over 50.00 ) for each LP so for me " well done " must be really " well dne " not near " well done ".

IMHO the LP audio industry is taking our money in an irresponsable way and we are paying ( our culprit to follow doing. ) for a " crap " of products.

There are several threads in Agon and other forums where audiophiles/customers are and have severe complaints on that critical subject that throw out all our eforts in time and money to have a " perfect " tunned audio system that when the cartridge stylus hit the LP all those effort gone like " the wind ".

Good to know that you are the exception that confirms the rules about.

Regards and enjoy the music,
R.
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