VPI, Graham, Koetsu advice please


Hopefully there are some experienced agoners out there that can help me figure this out. I use a Well Tempered Amadeus/ Lyra Kleos / Bob's devices step up / Lamm Lp2 - that finally, after many years, betters my modest digital side (Bob's Devices step up did the trick).

Through an unfortunate event, I now also have a VPI TNT 3.5 with Graham 2.2 arm and Koetsu Rosewood Signature and SDS. I set this all up last night and the VPI is dead silent compared with the well tempered's v low yet audible rumble between tracks. But, compared to the Amadeus/Lyra on actual music tracks, the VPI is comes across veiled, a bit congested, plodding, with no bass and no sparkle. And, please know overall I lean towards that tube sound (SET 211, etc).

Both are running thru Bob's SUT and then into a Lamm LP2. The only other difference is the Kimber TAK-H IC between the Amadeus and Bob's vs the hard wired Hovland IC from the Graham to Bob's.

What's going on here? I expected the TNT beast and lush Koetsu to destroy the Amadeus/Lyra. What would be your expectations? Before I move the Lyra onto the VPI, I thought I'd ask you all for suggestions. Thank you
poonbean

Showing 1 response by oregonpapa

I've been using a Well Tempered table and arm since they first came out in the early 80's. How quick everyone is to just assume the VPI is better than the WT. If you can find it, locate Moncrieff's excellent analysis and review of the original WT table. When properly set up, and I admit that it can be a bear, the WT is one of the best sounding tables out there without taking out a second mortgage or selling one of the kids.

Here's the last paragraph of Robert Greene's review in TAS:

"As high-end turntables go, the Amadeus is inexpensive. And it offers so much of the optimum performance possible at any price that one can only think of it as a wild bargain. In fact, there are important aspects of performance that I think would be hard to equal elsewhere and perhaps impossible to exceed. Certainly no tonearm has a quieter bearing than pure damping, for example. And the quiet of the platter bearing is also essentially total. One could spend a lot more money, but I would listen carefully to the Amadeus first. It is something exceeding fine, far beyond its modest price."