My comments are prefaced with the usual IMHO - but here's my two cents worth (as a first time poster on this great forum)
The problems you are encountering sound like as Chayro points out sagely "phase reversal". This can be caused by incorrect cabling set-up.
As for the analog vs digital debate, it depends a lot on the quality of the vinyl. First edition pressings in good condition are usually superior to remastered efforts. Particularly with mono 60's era jazz recordings (with a good mono cartridge), you'll notice great soundstage etc. Also a lot of great records have not been re-issued, which means it's mostly analog for me. For new music which is largely digitally recorded, digital is great, and it's mostly pointless getting a digitally made album on vinyl, apart from the coolness factor.
Good luck with the cabling!
The problems you are encountering sound like as Chayro points out sagely "phase reversal". This can be caused by incorrect cabling set-up.
As for the analog vs digital debate, it depends a lot on the quality of the vinyl. First edition pressings in good condition are usually superior to remastered efforts. Particularly with mono 60's era jazz recordings (with a good mono cartridge), you'll notice great soundstage etc. Also a lot of great records have not been re-issued, which means it's mostly analog for me. For new music which is largely digitally recorded, digital is great, and it's mostly pointless getting a digitally made album on vinyl, apart from the coolness factor.
Good luck with the cabling!