A bad-sounding record can also come from bad mastering--too much compression, rolled-off bass, etc.
If the original recording was 16/44.1 digital on a home computer, you're not likely to get good sound from it. I have a 2007 REM album that was pressed as two 45rpm 12" LPs. The form factor is just like a cost-no-object audiophile pressing, but it sounds like it comes from a low-res digital recording.
In general my experience matches wlutke's--as I improved my turntable damping, cartridge quality, and downstream electronics (esp. the phono stage), I got more enjoyment out of far more of my records than before.
If the original recording was 16/44.1 digital on a home computer, you're not likely to get good sound from it. I have a 2007 REM album that was pressed as two 45rpm 12" LPs. The form factor is just like a cost-no-object audiophile pressing, but it sounds like it comes from a low-res digital recording.
In general my experience matches wlutke's--as I improved my turntable damping, cartridge quality, and downstream electronics (esp. the phono stage), I got more enjoyment out of far more of my records than before.