Victor UA-7082 Arm, Rubber Washer at Rear Counterweight Tube: Sag/Repair/Fitting Damage.


Victor UA-7082 Arm, Rubber Washer at Rear Counterweight Tube: Sag/Repair/Fitting Damage.
................

The Large Plinth with UA-7082 I bought arrived, the plinth, legs, dust cover seriously damaged. Insured, at UPS for damage claim now.

The arm, before I bought it, the counter weight tube was sagging (very typical it seems), because the rubber washer between the main tube and the rear counterweight tube had deteriorated (the typical age related problem).

I pointed it out to seller, he fixed it, posted new photos, I bought it.

The arm arrived undamaged, however, it was going back, and, perhaps I will buy one in the future with bad rubber, soooo, I decided to see how he fixed it.

I’m no engineer, this is my attempt to clarify the rubber repair for myself and others. Lot of words to attempt clarity, it’s not that complicated.

1. the 7082 (presumably 7045) rear tube and counterweight are not totally isolated from the arm by a tubular layer of rubber like my SME 3009 was. (I repaired 3009 with factory rubber tube from SME when I first got it).

2. The 7082 rear tube is threaded, It threads into the back of a fitting on the end of the main arm, just behind the pivot. Not tight machine threads, so minor movement can occur. That is a semi-solid, not totally isolated connection. If the rubber washer is weak, these loose threads allow sag to occur. Perhaps the threaded shaft gets bent down also.

3. You thread/snug that rear tube forward against the rubber washer. The thickness of the washer is therefore not critical (except too thin). The density of the rubber needs to be firm enough to keep the rear tube from sagging, but not too hard, so it can do it’s job: dampening vibrations traveling down/back up the tube, isolating counterweight .... engineers can clarify this design function.

4. Washer Shape. Factory ____? This one: It did not slip off the front tube as I expected a simple washer would. It had an integral smaller diameter ’shoulder’ or ’neck’ that projected forward into the rear tube fitting. There are two tiny allen-head set screws at the bottom of the fitting. I loosened them and a short piece of tube came out, less than an inch long, rubber washer at the rear end.

5. Front face of the small fitting with the washer has/had a brass faced plate, curved. This one was damaged, part missing, part ’mangled’. My guess, it was set too tightly to the face of the arm shaft, someone messed with it, who knows ....

6. The point is, unless I took it apart, it looked fixed, you would definitely choose this over one with deteriorated rubber, sagging rear tube. But it had invisible damage. No way to know if buying used. Or know after you received it. I think this is probably a very rare instance, just mentioning it, perhaps someone knows something about it _____ ?

7. Effect performance??? Many have said they have weak rubber washers/sagging rear tubes: so what, plays great. The fitting: internal damaged brass face could be carefully reassembled, making sure no contact with anything.

8. Anti-Skate. I don’t like it, especially used. The plastic cap lifted off to reveal a spring coiled around the shaft (cap’s tiny set screws too loose?). Turning the top dial compresses the spring, step-less progressive resistance to the rotation of the arm shaft, great  ... Counter-acts inward force when playing.

Perhaps I would be confident with new from factory, but, there is no way I would be confident with this one, or any used one. Where is zero? Prior in-appropriate revolutions? Weakened spring?

I like dangling string counterweight with many small 1/4 gram notches like the SME and others. One thing I did not like about my 3009 Anti-Skate was the age and brittleness of the plastic line, but it always tested accurate in use.

9. Actual anti-skate. Listening, test record, final set of anti-skate is best. But, when changing cartridges, Stereo to Mono, Shibata to Elliptical: quickly adding or reducing tracking force, then a quick anti-skate corresponding change ..... no listening test, trust the incremental changes from prior proven setting. I feel more confident moving the string to the next notch than adjusting a spring.

Hope this is helpful, perhaps others can clarify anything I got wrong.

Elliott


elliottbnewcombjr

Lewm,

I’m using a 7082 currently with a light head shell and an Ortofon 2M Black. It’s on the big JVC plinth and a TT-81 along with an older Triplanar. I tend to use the 7082 as a test bed for potential MCs that get transferred to the Triplanar, and then in between I keep an MM on it just as a contrast to whatever MC might be on the Triplanar. Way easier to experiment on the 7082, and it’s a great tonearm in its own right. The Triplanar is better, but it should be for the difference in cost.

My 7082 has the counterweight sag, but it’s stable and I just consider it a dropped counterweight mod so I haven’t bothered to try to fix it. :-)

I also have a 7045 on a spare TT, but haven't used it in a while. No sag at all on that one.

Re the sag, I agree.  Chakster and I had a disagreement over his contention that any JVC tonearm with a sagging counterweight is per se "broken".  My position is that a certain amount of sag, so long as there is still no metal on metal contact in the link between the counterweight and the pivot, is still viable and may be even advantageous if the center of mass of the CW ends up in the plane with the LP surface.  This is desireable to minimize changes in VTF associated with warps.  Chakster never gave an inch, so we agreed to disagree.  But I still want to repair mine.

Trouble with sag is that unless with golden ears or scientific equipment and knowledge to measure, we will never know if metal contact occurs ? Cheers.