Vibration - What are the Main Sources?


A current thread discussing the best tweaks gave consistently high ranking for component isolation. I am curious to know where all the vibration is coming from that we are addressing with isolation. I understand that high volume listening can create significant vibration, but for the sake of this discussion let's assume we are listening at moderate levels. Can the vibrations from moderate sound levels affect the quality of sound? Are there other common significant sources of vibration that we are guarding against that can dramatically affect sound?
zlone

Showing 6 responses by perkri

Timely subject!

Getting close to final set up of my TT.

Just made a base - 3/4" mdf "box" filled with sand.

The TT weighs just shy of 60lbs, the base is approx 25lbs

My thinking is this. The vibrations present in the component needs to go somewhere. The vibrations in the environment need to be prevented from getting to the component.

The component should be coupled to something the vibrations can dissipate to. The whole thing should be decoupled from the "world"

So I’m looking to put roller blocks between the TT and the base. It will both couple the TT as well as allow for horizontal movement.

Then, I’m thinking either ISOAcoustics pads under the whole thing, or, springs. So many sources for springs around that can serve virtually any purpose, and are inexpensive. Just need to find springs that are the right diameter (so they are stable), the right height (again, so they are stable) and the right spring rate so the whole unit floats. Meaning, the same force is required to "lift" it as is required to "push" it a given distance.

Seems pretty straight forward...

If floating in zero gravity, and kicking your feet about (not touching anything) vibrations in your body are going to be minimal, all the forces are contained within you. Now, back on terra firma, and you kick the ground, the forces come back into your body. Very disruptive...


@mc
I’m hoping the industrial online spring retailers can help sort out the correct spring based on total weight. May have to diy some kind of spring damper.
Suspect the Minus K gear will be difficult to diy…

https://www.minusk.com
@rixthetrick 
Oh yeah, not very attractive looking, nor very user friendly according to the review I read. And, $$$’s…

Pencil, paper, some tools, some parts and a bit of wood…


rixthetrick,

Thanks. The springs are for my TT, mostly as an experiment :)

Hoping the spring retailer will help me figure out a spring rate that makes sense.  And yeah, height/diameter is important. Don’t want stuff swaying :)  And I’m thinking to start with spring rates such that there is an equal force required lifting up or pushing down to have it move the same distance. As close to floating as possible.

And agree, the math behind K Minus is above my pay grade. 1/2hz and 1hz, crazy low they go. 
It’s fun to play with this stuff. Especially when cost is low. Added bonus of course, when it works.


@georgehoffmann60

Agree 100% on the coupling/decoupling "challenge". Suspect I would pick a material other than marble, but everyone is looking for a different sonic expression from their system

All that anyone has to do, is experiment a bit and try some things.

And of course, trust your own ears. If there is no discernible difference, then there isn’t one for you. And one can scrap the concept, modify it or go in a different direction all together.

What a great combination of differing skills we get to apply. Math, science, abstract thought experiments, creativity, fabrication of stuff etc.

At at the end of it all, we have an opportunity to listen to the music we so love with an even greater sense of please from the sonic attributes.