Velodyne Digital Drive Series subwoofer in stereo



Hi, I've been very interested in running two subwoofers in stereo (diff. signals to each subwoofer); I've heard many people swear by this setup.

My next room for my system will be 14' x 14' x 18' high ceiling loft living room. My question is, will two DD10 be enough to fill the room with organ music and scare me out of my seat for movie tracks? Should I move up to two DD12s? Money is not really an issue, but I'd like to save wherever I can.

Any help would be appreciated. Thanks,
spacekadet
Dear Truthseeker: +++++ " . If you play a 30, 40, 50hz pure tone thru a low distortion sub (<10%THD), YOU WILL NOT BE ABLE TO TELL WHERE IT IS COMING FROM " +++++

I agree with you on those frecuencies.

Regards and enjoy the music.
Raul.
After reading much of this debate, it is good to see that Raul & Truthseeker agree. Both agree when using low distortion subs at low frequencies (less than 40hz or so) that one cannot determine the location where those very low notes emanate from.

At these low frequencies the wavelenghs are so large, relative to the distance between the ears, that the source cannot be localized. This is because wavelength is inversely proportional to frequency (thus reducing the frequency by 50%, as from 40 hz to 20 hz, the wavelength is doubled in size).

Using a large driver with very low distortion (such as the Velodyne DD-15 or DD-18, rated at < 0.5% distortion), with a relatively low crossover point, so that the sub puts out very little information above 80 hz (relative to the mains), which is located in a time-coherent location (with correct phase, of course), when placed in a room (as opposed to placement outdoors suspended above the ground) the spatial cues for locating deep low frequencey notes are lacking, so the speaker's location cannot be detected.

If the crossover point is set so high as to allow upper bass (and higher) frequencies to be audible, then spatial cues become increasingly present and identifiable. Smaller drivers and higher crossover frequencies result in the intrusion of subwoofers into regions where they should not intrude.

However, if the equipment and room requires a setup where subwoofers operate at upper bass and higher, then they will be locatable by ear. Under these circumstances, although the location of the low bass notes cannot be localized, their higher level harmonics (and other spuriae) will be audible, thus allowing a degree of localization to be perceived. This is not ideal.

Ideally, the mains will create the soundstage - not the subwoofers. One or more very high quality subs with low crossover points, which are ideally matched to both the main speakers and the room, are the best way to go. I hope we can all agree on this last sentence.

By the way, I am not sure how much phase and time coherence affect this, but it seems logical to always strive for the correct phase and the most time coherent location feasible in a given room with any given system.

I really enjoyed reading the debate. Every opinion is welcome. Personal attacks are not.

What I would like to know is, assuming cost is no object, how many subs are best and how should they be placed in relation to each other?
My Rel Storm 3 has its crossover set at about 28 hertz, and it sits in a corner. I am generally not finding that the deep bass localized to that corner. Instead, it seems to emanate from between the mains, possibly sometimes just off the midline towards the sub-bass unit, but usually not.

On the other hand, I had a passive subwoofer in the back of my van, and it was clearly localizable to.....the back of the van. I don't know what frequency the crossover was set at on the amp feeding the subwoofer in the van, however.