Vandersteen, Coincident or Green Mountain


I've got Vandersteen 3A Signature speakers with two Vandersteen 2Wq subs and am happy with the sound I'm getting. But the 3A's are quite physically dominant in the room so I'm considering something smaller for that reason, as well as I'm curious what other speakers would sound like. Started out researching stand mounted speakers but I'm now looking at floor standers and the two I'm interested in are Coincident Super Eclipse III and the Green Mountain Pico Mideo. I've corresponded with both manufacturers and they both think the models of their speakers I'm interested in will sound better than what I have (what a surprise). I was quite impressed with Roy Johnson from Green Mountain as well as Israel Blume when talking to them. My amp is an Ayre V-5xe, preamp is Aesthetix Janus. The room is about 14 x 19. Just looking for comments which I will take with a grain of salt since the only way to tell is audition but in this case it's not possible.
jeff_ss

Showing 2 responses by stang500hpaol


(((You can buy them and return for the cost of shipping both ways.)) Ask yourself how much would shipping be both ways and add that up
I bet you your local Vandersteen dealer would be glad to bring Quattros out and trial set up for the same amount.(( Israel Blume about the difference and he convinced me at the price he would deliver a new pair to my door (a nice discount from full retail) these would be the way to go.)) Did you ever wonder why he doesnt sell thru dealers? could it be this is the only way he can sell them? Do you think you were the only one who has the special discount treatment off retail?
Could it be this is the street price they are sold at? (((Not sure how his speakers are able to have the wide sweet spot)) D'Appolito drivers above and below smear/will have a wider sweet spot but so does other speakers 901 different ways.
((but I think his design is simpler than the Quatro in terms of crossover and the 11-band room compensation controls in each Quatro is problematic from his point of view because of complexity.))
What If you purchassed a perfect full range speaker but your room mesures a 12 db Bass lift right ch at 80 hz left ch say a 9 db lift at 67 hz? What can you do?
Room compensation allows a more ideal room response.
This solutions to me makes the most sense.
Cheers Johnnyr
(((What if you move to a spot with no similar problems?
With over 200 measurements done I have never seen a room that has not improved with their tuning not even 1 in 200. ((You have a speaker with extra circuits in the signal path)),
If you knew anything about the Quattros you would know their eq is not in the signal path....
Tube traps are fugly women wont have em and they mess with the mids ((My Green Mountain Audio Callisto's (if I remember correctly) have 6-9 pieces TOTAL in the crossover;
Thats alot of pieces in the x over for not having a midrange... Cheers Johnnyr