(((This speaker plays it all as all great designs must. There are other issues, time for an expert to chime in, Johnny R maybe?)))
My take would be this..........
(((I found them to be boxy, dull and closed (quite the opposite from the jazz recordings).))))
Having heard both electronics in our sound rooms
I probably would agree with the OP with what he heard with those electronics.
Compared with ARC,VS 110 Manley Neo Classic 250 has a darker feel their output transformer taps offered only a fixed tap with no adjustments.
at its best with a lower impedance speaker.
Feedback City think it wanted to be controlling a speaker that needs way more control.
Sonic Frontiers preamp we found it was decent for its time yet somewhat
electronic or mechanical presentation at the time associated with dated amps also using Hi Feedback.
I'll bet 5 bucks if he takes his Yamaha back there with some AQ wires
he finds a new companion instantly.
Best JohnnyR
My take would be this..........
(((I found them to be boxy, dull and closed (quite the opposite from the jazz recordings).))))
Having heard both electronics in our sound rooms
I probably would agree with the OP with what he heard with those electronics.
Compared with ARC,VS 110 Manley Neo Classic 250 has a darker feel their output transformer taps offered only a fixed tap with no adjustments.
at its best with a lower impedance speaker.
Feedback City think it wanted to be controlling a speaker that needs way more control.
Sonic Frontiers preamp we found it was decent for its time yet somewhat
electronic or mechanical presentation at the time associated with dated amps also using Hi Feedback.
I'll bet 5 bucks if he takes his Yamaha back there with some AQ wires
he finds a new companion instantly.
Best JohnnyR