Using digital preamp to tube power amp questions


A while ago I was looking into trying tube amplification in my system and received a lot of good advice here. However, at the time I was using Martin Logan electrostatics and just couldn't get comfortable with issues related mostly to the inordinately high current requirements of these speakers. Recently, though, I bought a pair of Serie Reference 3A monitors which I seriously like and decided to pursue the idea again.

The reason for this post is to seek advice regarding the use of a digital preamp (Peachtree Nova) with a tube based amplifier because of the latitude I have with its large number of digital and analog source inputs. If the benefits of using tubes come primarily from the use of the preamp, I'll not pursue this issue. However, if those of you having experience with a similar setup have had good success I'd appreciate hearing from you. My current setup is this: Shanling CD-S100 CD player - Peachtree Nova as preamp - Behringer UltraCurve DEQ 2496 equalizer- Peachtree 220 amp - Martin Logan Ethos or the Reference 3 A's, depending on which speakers I decide to keep.
broadstone

Showing 1 response by almarg

Jim (Broadstone), according to the manual the 300SE is rated at about 10 watts, which actually is a bit more than is typical of many amps which utilize a single 300B output tube per channel. Cary also produced a 300SSE stereo amp, BTW, which used two 300B's in parallel per channel, rated at 20 watts.

Also, if the sensitivity of your 3A speakers is anything like that of the currently produced Reference 3A MM De Capo BE, a note of caution: Based on these measurements the 92 db sensitivity rating of that speaker is arguably optimistic by as much as 6 db (which is a factor of 4 in power terms).

Finally, keep in mind that the most important factor affecting how much power may be required will often and perhaps usually be the dynamic range of the music that is listened to (i.e., the DIFFERENCE in volume between the loudest notes and the softest notes, with well recorded minimally compressed classical symphonic music often being the most challenging genre in that regard).

Best regards,
-- Al