Heres how I did my home system: Ive set-up a pair of front speakers (15s, 7s and tweets) using the older analog model with Ranes DEQ60 and the Alan Parsons SoundCheck CD. The SLM was on a tripod at ear level centered between the speakers in a large sweet spot. I pointed the mike towards each speaker separately.
I used a 1000z tone on the test CD to set my 80 dB reference volume. Next, ran 30 CD tones independently to each speaker while adjusting the playback band levels to 80dBs from 25-20K Hz with the DEQ60. WIth little further adjustment by ear, the separation and balance is nice at all listening levels. I knew of the cabinets 50Hz roll-off prior to this set-up, and the settings on the DEQ60 shows a similar pattern.
I pointed the mike upwards to adjust volumes for a 5.1 configuration using a Proceed AVP2+6. I set a SVS Ultra-13 sub in a sealed mode to 15Hz and crossed over at 50Hz with a 24dB roll-off to match the fronts. Once set-up, test tones and sweeps sounded very level to me and show a very linear pattern on the SLM (+/- 2dB above 50Hz without the sub) . Ive used a Behringer 2496 RTA w/matching mike in the Dual Mono mode and enjoy better musicality using the SLM/DEQ60. Other listeners dont hold back positive comments - if I thought it was musically off after I fine tune it by ear, Id go for a higher end SLM that can be routinely calibrated.
I used a 1000z tone on the test CD to set my 80 dB reference volume. Next, ran 30 CD tones independently to each speaker while adjusting the playback band levels to 80dBs from 25-20K Hz with the DEQ60. WIth little further adjustment by ear, the separation and balance is nice at all listening levels. I knew of the cabinets 50Hz roll-off prior to this set-up, and the settings on the DEQ60 shows a similar pattern.
I pointed the mike upwards to adjust volumes for a 5.1 configuration using a Proceed AVP2+6. I set a SVS Ultra-13 sub in a sealed mode to 15Hz and crossed over at 50Hz with a 24dB roll-off to match the fronts. Once set-up, test tones and sweeps sounded very level to me and show a very linear pattern on the SLM (+/- 2dB above 50Hz without the sub) . Ive used a Behringer 2496 RTA w/matching mike in the Dual Mono mode and enjoy better musicality using the SLM/DEQ60. Other listeners dont hold back positive comments - if I thought it was musically off after I fine tune it by ear, Id go for a higher end SLM that can be routinely calibrated.