Upgrading from Wilson Sophia 2's?


Currently using these in a 14x25 room. Enjoying them for the most part, but they can sound aggressive and make mediocre recordings sound like crap and be somewhat fatiguing. Iā€™m interested in trying something that is slightly more forgiving without sacrificing a lot of detail, air, dynamics, etc.

Any suggestions?

Associated equipment (preamps still in flux):

Amps
Pass XA 100.5 monoblocks

Preamps ā€“ Tube
Audio Valve Eclipse
Cary SLP-05

Preamps ā€“ SS
Fire H20
Wyred 4 Sound STP SE
Pass XP-20

Sources:
ModWright Transporter
Raven One TT / Triplanar / Dynavector XV-1s

Thanks.
madfloyd
Verity Audio Parsifal Encore or ovation. I have spent time in the dealers with the Wilson's, I think I know what you mean, they seemed a little forward in the upper mids, lower treble, (thought room set up and tastes can make them perfect). I have been stunded by my Parsifal's and will keep the speakers as I upgrade everything else along the way. A more refined, subtle presentation that does not grab you but quietly seduces you.
I would look at room treatments if you haven't already done so. I was having a similar problem with my Mini Utopias, too bright and aggressive on so- so recordings and some panels from Ready Acoustics helped quite a bit. But there seems to be a tendency with Focal, Wilson, and some of the other high end speakers to go for the last bit of detail. I spend most of my time with my Spendor SP-1/2e's, which give a more relaxed presentation. I have also read good things about S-F but no dealers near. I would check out the room before I did anything else. Mine is 13x 35 and I found I was getting good response at 32Hz, way down at 50 and 62 and back up at 100. [I use 2 REL Stadium Subs]. This made the sound more aggressive than it is after I put up the panels. Response is now flatter and sound fuller. Hope this is some help.

Do you experience this with both your analog and digital front end? I bet the Sophias sound excellent w/ good recordings (as mine do). If your goal is to set-up a system to make these inferior recordings sound "good", I fear you will end up with a highly colored system. I would experiment with speaker and listening chair positions, room treatments, and cables before giving up on the Wilson's.
I sold my Sophia's. I've owned many other box speakers such as Watt/Puppy 6's, Dyn C4's, B&W801N's, ML Odyssey's, Totem Winds and Forests, Dunlavy SC-V's etc... My instincts told me to think outside the box and give Magnepan a try. The 3.6R's have been the most glorious upgrade I have ever experienced. Problems I thought were due to other components over the years are now gone! Strings are natural, bass is addictively textured and full of dynamic shadings, treble is sweet, phenomenaly extended, pure and grain free with no fatigue. Micro and macro dynamics are utterly realistic. Mids are full, ripe and organic. Soundstaging and depth are the best I've heard as well. Once broken in, they far excede the requirements of any music loving audiophile. The funny thing is that all of the anecdotal misinformation passed around about Magnepans being bass shy, lacking in dynamic slam, having bright treble, being hard to drive, hard to place or lacking in focus or transparency is complete nonsense. My 3.6R's driven by my Krell 400xi have none of the limitations I had heard talked about in high end circles. Once you hear a properly set up pair you would have to be into cherishing audio artifacts rather than music to not fall in love with them.
Tell us more about your room, besides the dimensions. Do you have wood floors, tile, area rugs, mirrors or windows, Ceiling Height?

Does the room seem live or dead to you?

Were you happy with your previous speakers in this room?

I think we all need to decide if it's your room, your associated equipment or your speaker choice?

Rich