Genesis, as D. apparently learned today, the Dennesen Soundtracktor was based on the Baerwald formula, as discussed in the owner instructions. They also mention the "audible affects of tangential misalignment . . . largely ignored for many years", a point Raul reminded us on.
I've owned a metal version (plastic was also available for less $) for many years. It has provided what I have considered very satisfactory alignments -- provided the arm in use clearly identifies the exact pivot point (my Kuzma Stogi Reference does), good lighting is available, I have my hand held magnifier, and my patience is good that day. ;-)
I would not attempt to use the Dennesen on any arm which does not identify the pivot point (this is critical to the exact set-up of the Soundtracktor for anyone who is not familiar with this device).
It would be interesting to learn if the Lofgren B or Stevenson alignments were considered when Dennesen decided to utilize the Baerwald?
I've owned a metal version (plastic was also available for less $) for many years. It has provided what I have considered very satisfactory alignments -- provided the arm in use clearly identifies the exact pivot point (my Kuzma Stogi Reference does), good lighting is available, I have my hand held magnifier, and my patience is good that day. ;-)
I would not attempt to use the Dennesen on any arm which does not identify the pivot point (this is critical to the exact set-up of the Soundtracktor for anyone who is not familiar with this device).
It would be interesting to learn if the Lofgren B or Stevenson alignments were considered when Dennesen decided to utilize the Baerwald?