Turntable speed accuracy


There is another thread (about the NVS table) which has a subordinate discussion about turntable speed accuracy and different methods of checking. Some suggest using the Timeline laser, others use a strobe disk.

I assume everyone agrees that speed accuracy is of utmost importance. What is the best way to verify results? What is the most speed-accurate drive method? And is speed accuracy really the most important consideration for proper turntable design or are there some compromises with certain drive types that make others still viable?
peterayer

Showing 4 responses by swampwalker

This is an interesting discussion with philosophical, theoretical and practical elements. I am not in any way an advanced thinker or practitioner on things analog. However, I don't think anyone has addressed these issues with respect to a mylar tape drive, which is essentially inelastic. I will say that I believe that unless you have perfect pitch, I would think that it would be better to have a TT whose speed has better precision than accuracy. IOW, within certain bounds, speed stability is more important than speed accuracy. A table that runs at 33.6 rpm, +/- 0.05 rpm, would be preferable to a table that runs at 33.3 rpm, +/- 0.5 rpm. I made those #s up to illustrate my point; I have no idea how audible those variations would be but I hope you get my point.
A robust drive is really important in a good turntable!
Very interesting comment. Jibes with the idea that the quality of the power supply is v. impt in amp and pre-amps as well. Not sure why, maybe its just a co-incidence? But after having my pre-amp's power supply upgraded, I am more convinced than ever that it is true for the electronics!
Halcro- Yes, I had read that and was trying to re-state it in a way that might make sense to those of us who are not musicians. Not sure how common this is amongst "us", but I cannot carry a tune in the proverbial bushel basket, let alone have any idea what a 12 hz variance in pitch means. I am in total awe of musicians, esp. singers!
And, lest we forget, among designers of both belt- and direct-drive turntables there seems to be a divide around weak motor/huge platter vs strong motor/light(er) platter. There are logical arguments either way. So, I would not be so bold as to make any declarative statements.
Well said- every design is a compromise, and barring a "paradigm shift" or revolutionary advance in technology or theory, implementation and qa/qc are the make or break points. Says the guy who can't carry a tune;-)