Hi. Thanks for responses. This is how I responded to John, crossing over with some of your points it appears.
...John, methinks you want someone to give you "your" answer, so you may never be satisfied with ours. As a subjective music lover, I truly believe that our hearing is more veracious and capable of perceiving sounds and spacial cues than instruments using hard science. Let's remember that audio playback is an illusion, hardly the real thing, as we cannot crawl into the same space that the microphones attempted to capture. As with our others senses, how can I tell how you perceive, say, the taste of a particular wine; assess a Rembrandt; or identify the preference of a scent of a fine perfume? I will say this. Back in the later 70's, I purchased a powerful new McIntosh MC2200 solid state amplifier to drive a pair of McIntosh XR5 floor standing loudspeakers. The new amp had a glitch, and I was handed a little McIntosh 45W tube loaner to drive these inefficient speakers. Yes, the highs were rolled off and the bass was flabby, but, oh my, that mid-range was clearly way beyond the abilities of the MC2200. Back to Maine, a few years later, I had upgraded to a pair 45lb Chapman 2 way monitors that were far more revealing than the XR5's. I discovered that Transparent Audio was importing the Electrocompaniet Ampliwire II, a small, high current, 45w solid state amplifier that was getting raves in the burgeoning underground press of the day:
https://www.canuckaudiomart.com/details/649317413-electrocompaniet-ampliwire-ii-power-amplifier/
The differences in "my truth" between the McIntosh and the little Ampliwire II were astounding! Some further modifications turned the little amp into a world class amplifier, which I used for 20 years. Yes, the sound was tube-like without the downsides of "old tube sound." Okay, just what does that mean? Having recently experienced, at length, some of Nelson Pass's best efforts vs the wonderful Audio Matiere Equilibre tube amp, and some lovely 300B tube monoblocks, I can confidently say that the gap has joyfully closed between the two approaches.... I could easily live in either camp. Tubes no longer sound tubby, restricted and rolled on top. Transistors no longer sound metallic, dry, lacking in leading edge transients and soothing decay. The high resolution possible today exposes so much more of the timbre, nuance and holographic nature of modern high fidelity, does away with the congestion and boredom of early hi fi, allowing these advances full advantage over stock retro gear. Mix that with the access to quality streaming, and, man...what a time to be a music lover! More Peace, Tim (Pin)
...John, methinks you want someone to give you "your" answer, so you may never be satisfied with ours. As a subjective music lover, I truly believe that our hearing is more veracious and capable of perceiving sounds and spacial cues than instruments using hard science. Let's remember that audio playback is an illusion, hardly the real thing, as we cannot crawl into the same space that the microphones attempted to capture. As with our others senses, how can I tell how you perceive, say, the taste of a particular wine; assess a Rembrandt; or identify the preference of a scent of a fine perfume? I will say this. Back in the later 70's, I purchased a powerful new McIntosh MC2200 solid state amplifier to drive a pair of McIntosh XR5 floor standing loudspeakers. The new amp had a glitch, and I was handed a little McIntosh 45W tube loaner to drive these inefficient speakers. Yes, the highs were rolled off and the bass was flabby, but, oh my, that mid-range was clearly way beyond the abilities of the MC2200. Back to Maine, a few years later, I had upgraded to a pair 45lb Chapman 2 way monitors that were far more revealing than the XR5's. I discovered that Transparent Audio was importing the Electrocompaniet Ampliwire II, a small, high current, 45w solid state amplifier that was getting raves in the burgeoning underground press of the day:
https://www.canuckaudiomart.com/details/649317413-electrocompaniet-ampliwire-ii-power-amplifier/
The differences in "my truth" between the McIntosh and the little Ampliwire II were astounding! Some further modifications turned the little amp into a world class amplifier, which I used for 20 years. Yes, the sound was tube-like without the downsides of "old tube sound." Okay, just what does that mean? Having recently experienced, at length, some of Nelson Pass's best efforts vs the wonderful Audio Matiere Equilibre tube amp, and some lovely 300B tube monoblocks, I can confidently say that the gap has joyfully closed between the two approaches.... I could easily live in either camp. Tubes no longer sound tubby, restricted and rolled on top. Transistors no longer sound metallic, dry, lacking in leading edge transients and soothing decay. The high resolution possible today exposes so much more of the timbre, nuance and holographic nature of modern high fidelity, does away with the congestion and boredom of early hi fi, allowing these advances full advantage over stock retro gear. Mix that with the access to quality streaming, and, man...what a time to be a music lover! More Peace, Tim (Pin)