Transient Attack and Amp Design


I have observed with my new McCormack DNA-1 Deluxe (CJ Rev. 1 upgrade) that the transients are significantly better than my previous amps. Everything from classical, rock, and jazz has, for lack of a better term, better rythm and transients. (Granted, I have only owned mid-fi amps like Marrantz, Rotel, and Sunfire.)

I was wondering if the McCormack amp design explains the reason. It has eight caps on each output board instead of just one large cap for each channel. Maybe that means there is just more storage capacity? In any event, the amp is a heck of a lot more responsive than what I have heard in the past.

Is the multi-cap board topology more conducive to better transients or is this benefit dependent on the skill of the amp designer regardless of board layout?
jragsda

Showing 1 response by stevemcx

Jragsda, glad to hear you are enjoying your DNA-1.

I came up with the DNA (Distributed Node Architecture) design specifically because I do believe that it is audibly beneficial to eliminate (as much as possible) the connectors and wiring between the output devices and the source of their "instantaneous" current. At the same time, the capacitors used may be smaller individually and still add-up to a large effective capacitance. The capacitors still have to be carefully chosen for their audio characteristics, but it has been my experience that these physically smaller caps often have better audio performance (particularly at high frequencies) than their larger brethren. While it is difficult (or impossible) to defend this position from a strictly engineering / measurement standpoint, I note that a fair number of other amplifier designers have adopted this technique since the DNA-1 came out.

Best regards,

Steve McCormack
SMc Audio