@qwin
On the newer version of the Terminator that I have, all pins are made of nylon, including the pins for leveling the arm. It would be too difficult for me to take up your tip on leveling the arm using the turntable footers for final adjustments. I will stick with the old fashion way.
Your critique of the Terminator is appreciated. While we’re at it, add non-repeatable VTF adjustments as an additional criticism. I don’t know how you do it, but I fine tune VTF at the start of each listening session.
‘I was not familiar with the Vdh MC 1 Special so I read up on it. A reviewer described it as having similar sound signature as a Lyra Clavis dc. And your description of the MC 1 + Terminator combo sounding like music mirrors my vinyl experience. Especially these past two years, I was able to sourced two TOTL cartridges, a Transfiguration Proteus rebuilt by Anna Mighty Sound and A ZYX Ultimate Astro serviced by VAS audio. I no longer use my critical faculties to judge what I hear. I don’t break it down into distinct low, mid, and high frequencies, weighting their individual qualities, and analyzing how they interact. There is just this continuum and coherence that is felt as music, no artifice. These are cartridges retailing in the $6k-13k range playing on a +$1k arm, entry level phono stage, with terrific results. Who would have known?
It’s a pity so few will hear this arm. I am in a prolonged process of acquiring a second, higher tier, pivot arm. And I believe I will be in a better position to taut the abilities of the Trans-Fi arm when compared the additional pivot arm. In any case, it was a SME V that preceded the Terminator and the upper hand belongs to the underdog.
i have a question for you: in working with the pivot pins, both you and Owen mentioned chatter induced distortion. I thought I knew what that meant. But I cannot be sure. What does a chatter induced distortion sound like, which frequency range does it occur?