Yes I agree that MFSL and DCC made some very strange choices for reissue. One explanation for some titles not making it on these labels is there could have been licensing problems with the owners of copyright. I believe these labels negotiated for a specific number to be issued plus logistics of original tapes etc. There were definitely many excellent titles that could have been very popular in this format. I was waiting for the release of the Doors Soft Parade which DCC had announced shortly before their demise.
