very strange,probably wrong amplification was used with harbeth .In 2007 you even wrote positive review abaut SHL5.What happened?Small drivers will always give false impression of bass and scale of music will be lower.What i hear on shl5 is variation of bass-i call it tonal balance of different instrumnents and there is ambience,reverberation of instruments and voices somehow which makes music sound very beautifull,similar impresion when several people singing together,but all these thing can depend on amps.
Top big-name monitors current versions .
1. Focal Diablo
2. Totem Mani 2 Signature
3. B&W 805D
4. Dynaudio C1 Signature
5. Wilson Duettes
Any comments on these? I thought these were the usual suspects (but I'm open to other suggestions.) Thanks in advance, of course, for your time. I left out the Harbeths because as a former SHL5 owner I never liked them because they didn't have enough resolution and detail. I like lots of character and good texture on vocals. I don't need deep or propulsive bass, just detailed controlled tight bass, not thick bass, bass that is "just there" as a foundation when the music has it. I also left out Joseph Pulsars because after a listening session at the NY Axpona show I thought the vocals did not have enough definition. I liked Kharma 3.2's level of definition, but they were too piercing and tipped up in the highs on popular music for me (and I don't want a floorstander, just a standmount, probably under 60 pounds so I can carry them up & down stairs easily by myself if I need to). Thanks.
2. Totem Mani 2 Signature
3. B&W 805D
4. Dynaudio C1 Signature
5. Wilson Duettes
Any comments on these? I thought these were the usual suspects (but I'm open to other suggestions.) Thanks in advance, of course, for your time. I left out the Harbeths because as a former SHL5 owner I never liked them because they didn't have enough resolution and detail. I like lots of character and good texture on vocals. I don't need deep or propulsive bass, just detailed controlled tight bass, not thick bass, bass that is "just there" as a foundation when the music has it. I also left out Joseph Pulsars because after a listening session at the NY Axpona show I thought the vocals did not have enough definition. I liked Kharma 3.2's level of definition, but they were too piercing and tipped up in the highs on popular music for me (and I don't want a floorstander, just a standmount, probably under 60 pounds so I can carry them up & down stairs easily by myself if I need to). Thanks.