Tone, Tone, Tone !



I was reminded again today, as I often am, about my priorities for any speaker that I will own.

I was reminded by listening to a pair of $20,000 speakers, almost full range. They did imaging. They did dynamics.They did detail.

But I sat there unmoved.

Came home and played a number of the same tracks on a pair of speakers I currently have set up in my main system - a tiny lil’ Chihuahua-sized pair of Spendor S 3/5s.


And I was in heaven.

I just couldn’t tear myself away from listening.

Why?

Tone.

The Spendors satisfy my ears (MY ears!) in reproducing music with a gorgeous, organic tone that sounds so "right.". It’s like a tonal massage directly o my auditory system. Strings are silky and illuminated, saxes so warm and reedy, snares have that papery "pop," cymbals that brassy overtone, acoustic guitars have that just-right sparkle and warmth. Voices sound fleshy and human.

In no way do I mean to say the Spendors are objectively "correct" or that anyone else should, or would, share the opinion I had between those two speakers. I’m just saying it’s often experiences like this that re-enforce how deeply important "the right tone/timbral quality" is for me. It’s job one that any speaker has to pass. I’ll listen to music on any speaker as background. But to get me to sit down and listen...gotta have that seductive tone.


Of course that’s only one characteristic I value. Others near the top of the list is "palpability/density," texture, dynamics.

But I’d take those teeny little Spendors over those big expensive speakers every day of the week, due to my own priorities.

Which brings me to throwing out the question to others: What are YOUR priorities in a speaker, especially if you had to pick the one that makes-or-brakes your desire to own the speaker?

Do you have any modest "giant killers" that at least to your way of thinking satisfy you much more than any number of really expensive speakers?



prof

Showing 3 responses by audition__audio

Often I find that people define tone as pleasant coloration. When you examine how a speaker is made and all of the specifics of this design, you can usually predict very accurately how this speaker will sound. A perfect example for me would be Harbeth. If this is what you like then more power to you, but please dont mistake these type of designs as accurate. For me a speaker should as much as possible reproduce what they are handed and this is not what speakers like Harbeths or Spendors for that matter actually accomplish. Having said this, I far prefer these designs to examples representing the "West Coast" sound. 
I refer to the entire Harbeth line although I have never heard these speakers in my home. I did, I think, get a very good idea of how they sounded at shows and at a few dealers. I am sure they can sound better but the fundamental "house" is pretty hard to forget.

All Harbeths I have heard all have a tendency to homogenize material. I hate the cabinets and take issue with the designers belief in this being an effective energy dissipation method. Essentially you have a big vibrating box with a large surface area. I dont like large front baffles and I shouldnt have to explain why these are not a good thing. Feel that first order crossovers are best and am guessing a 2nd or 3rd order is used by Harbeth. I certainly dont see any attention paid to time alignment. In addition dont like ported speakers and also feel no science exists that supports this type of design other than a pleasant hump, increased efficiency and a reduction in cabinet size.

So what I see is a bunch of speaker design "no-nos" all of which coincidentally reduce the production cost that are then presented as a viable design methodology that doesnt make sense to me and also runs counter to the design philosophies from speakers that I think sound best.

I am not knocking anyone that likes this type of sound. But it is safe to say that those of you that like Harbeths hear things in a very different way than I. Who is to say which of us is correct?






prof,
I assume that when you suggest a speaker measures well you are referring to frequency response?

I have seen JA ignore, explain away or excuse very bad measurements on speakers which frequent the pages of Stereophile while scratching his head over why a speaker with bad frequency response sounds good. I would suggest that JA appears to know how to measure but is at a total loss as to why certain measurements are or are not important. 

I would suggest, and this applies to all enthusiasts, that you are only as enlightened it terms of quality, as the best systems you have ever heard.
The best systems you will ever hear are rarely at dealers and never at shows.