Thiel 3.7 vs Wilson Sasha


I auditioned Thiel 3.7 and Wilson Sasha recently. The upstream for 3.7 is Bryston BCD-1+BP 26+7B SST2+Cardas Neutral Reference cables, while the upstream for Sasha is Ayre CX-7eMP+K5+V5+Tranparent Reference cables. Both speakers were driven very well. Let me compare them in each category below.
1. Treble: 3.7 is more reavling, 3.7 win.
2. Mid range: 3.7 is more reavling and transparent, while Sahsa is fuller, it all depends on your preference, a tie.
3. Bass: 3.7 is more reavling and transparent, while Sasha has an obvious deeper bass extension, and more weight. Sasha win.
4. Coherency: Both have great coherency. But from my point of view, 3.7 has an edge.
5. Color: 3.7 is very neutral and transparent. Sasha is neutral too, but it is a little bit towards warmth side.
6. Sound stage: both can produce a huge sound stage, a tie.
7. Imaging: 3.7's imaging is pin point sharp. Sasha has great imaging ability too. 3.7 win.
Overall, both are outstanding speakers. Personally, I prefer Thiel 3.7's sound signature. IMO, regarding price, Thiel 3.7 might be one of the best buy in High-End world.
actuary616

Showing 4 responses by bvdiman

Accompanying a friend in search for new speakers we recently went on an audition spree. This friend has extensively auditioned the three set of speakers for weeks before finalizing, I, however, only attended his last.

The $20k+ Revel with all Krell Evo gears, excellent top to bottom extensions, but rather uninvolving. Thiel 3.7 with Mc Intosh latest cdp, amp and pre (cool looking stuffs with windows showing off their nice glowing tubes innards--can't recall model), good holographic soundstaging, but thin bordering on clinical sounding. Sasha with ARC smaller Ref gears (210 I think it was, plus their CD8), the bass could be a bit overbearing at times in the dealer's room, but with surprisingly most inviting mids of the three, albeit a tad on the warm side of neutral--overall the most involving package. All sources were digital.

He ultimately bought the Sasha, our group of friends present conclusively agreed that he had made the right choice based on what we all heard at the different dealer demos on that decisive day. Again, synergy, rooms etc could have played a part, but aren't dealers supposed to know and show off their gears at their best.
Funny how Sound Lab was mentioned. Two of our friends who tagged along during the auditions happen to be stat lovers/owners (so was I, or at least until a few years back). One of them using Sound Lab, the other CLX +subs, I tend to prefer the latter set-up. They listen primarily to big band, classical and jazz, whilst I listen to almost all genres ranging from pop, jazz, disco, classic, r&b to country--you name it.

Although SLs are 'probably' as good as claimed in certain areas, but for some of my music, they just didn't cut it. Sure, bass was there aplenty, but I found their drives and dynamic socks/punch to be comparatively lacking. Try playing loud the likes of Sergio Mendez, Sade, UB40, Fourplay, or hard pops ala late MJ, Madonna, or even some fusion artists' (Klugh, Benson, Gruisin, Benoit, Ritenour, Carlton) you'll get what I mean.

Nothing's perfect, thus trade offs are almost always inevitable. And yes, musical preferences too play a big role on one's choice. But in the here and now, so as to be more relevant, it's simply--Thiel? or Wilson?.. I guess.
James63,

In my quest, I value first and foremost the musicality aspect of things--in which the music, mediated through my stereo set, has to have that special ability to draw/drag me in emotionally into the performances. Neutral is more my taste, but coherency, tonal rightness, dense, organic and palpable presentations are also of top priorities. Not so big on imaging and soundstaging, but the fact that the Magicos do it well is an added bonus.

Three great speakers (in their own rights) to comment on, just so happen for my taste, Magico's balance slots in just nicely in-between the two--CS3.7 and Sasha.

During the Thiel audition, we felt its presentation to ultimately lack that organic, weighty feel, hence palpability, that, in spite of use with all tube Mcintosh 2301 (hope I got the model right) partnered with their dual 2in1 pre (tube section was used). Likewise the Krell Revel demo, albeit fuller sounding, but missing to our ears were some essential tonal harmonic richness and overtones which the ARC driven Sasha has.
Actuary616,

Follow your heart.. As I have mentioned, they are all potentially good speakers, our observations were nit picking weaknesses of each upon a friend's buying decision. What we heard might also be a reflection of the dealer's taste. I suspect that that particular dealer at Thiel was dialing in for max transparency and resolution that he neglected/willingly sacrificed some of the warmth and musicality aspect of things. Which I thought could probably be mitigated with as simple as some cable and cord changes then. I did not ask what was used, but he was a dealer for Cardas and Wirewold. Anyway, congrates on your purchase and happy listening!