The SET amp question.


I have been reminded for a period of time that since my speakers are highly sensitive (110 db), why don't I try SET amps. I have owned tube amps that are of the push pull design but know very little about SET amps.

Can someone explain how they are different in design from other tube amps and which brands are recommended & proven reliable at the entry level?
phd

Showing 2 responses by paulfolbrecht

Racamuti got it mostly right, but actually a single output device is not mandated in a single-ended design, though it's certainly the most common situation.

"Single-ended" implies that there is no phase-splitter - that the output device(s) amplify the entire audio signal, positive and negative. The corollary to SE is push-pull - an amp that is one cannot be the other. However, more than one output device can be used in SE topology - this is referred to as parallel single-ended. Some amps of this variety can sound extremely good with no perceptible weaknesses compared to a single output device design.

Single-ended amps are also, by definition, class A, since the output devices must be pulling current 100% of the time.

In addition to SET - single-ended triode - perhaps also consider single-ended pentode or even some single-ended transistor amps (Pass). I, and many others, I think, consider the most important element of SET to be the first two letters of the acronym - triodes may offer the most linear amplification curves, and thus the simplest, lowest/no feedback circuits, but the more complex tubes can offer a very compelling sonic presentation as well. I'm thinking of the Almarro amps (which I have heard) and Audiopax (which I have not).
I have had 45, 2A3, PX-25, 300B, 211, 845, and 805 SET amps.

As others have noted, with your speakers, your options are completely open - and IMO the 45 cannot be beat all-around. Either the Yamamoto or the Fi (the X is good but not as good as his stereo or monos; the X is the budget version).

The 45 tube will amaze you with its rock-solid bass, perfectly neutral tonality, amazing sound-staging, and complete freedom from any weakness at all, really.