The problem with streaming


As I sit here listening to America Includes: "A Horse With No Name", I realized the problem with streaming. Who knows what source material you're getting with streaming? The album I'm listening to is a Warners Brothers green label. Sonics are absolutely incredible! The band sounds like they're in the room! 

Navigating the pressings to find the best one can be challenging but that's part of the fun of the hobby. I doubt the same care is taken when generating streaming recordings. You're stuck with what they use, thus missing the incredible texture of the best recordings.

Of course, great care must be taken to set up the turntable and match all components downstream. I find the effort to be well worth it! There's just no substitute for great analog!

vuch

Showing 1 response by goeddy

For reference and perspective I am a trained musician who supposedly knows how  to listen for music as it happens in live settings all of which depends on electronic reproduction to be heard. Listening to music is a solely  singular experience of the mind. And mine just expanded. How? Well, friends, I just bumbled into the BIG change in the recordings of everything to which I listen, regardless of signal source origination, by the need for replacement of “failing” gain stage tubes. 

Four 6922 tube (variant) “rolled” into my pre-amp amp stages of “ how to copy a copy of a recorded performance of “best take” recordings “mastered” by a human listening to and live time self adjusting”  to the actual MUSIC often layered one performance at a time ( see Boston) and not (as it appears to have been) originally co-performed and co-recorded in “real time”. Music is now a process of limiting variability of quality best suited to the end of the chain reproduction equipment capacity to best replicate the original. A desired result with too many variables to contemplate while the recording is being performed. I just play the part. Written by the song writer. Or arranger. After that the performance is at the whim of industry, not me. Back to my point:

Those tubes (manufactured in one batch from 1976 ( hand made variances included at no extra cost) have opened and widened perceptive nuances of the sounds transferred to tiny electric codes magically appearing where they were not discernible by my ears prior to the new (old) better(?) tubes were installed. Or at least, so it appears to my ears! BTW I am all digital all the time. Conclusion: you are listening to a highly processed copy of actual music that is just that….a copy!  because I am also a pro musician and can report that from an actual on stage performance centered perspective, there is no “image” effect. If such is possible from the audience perspective it is probably due to the efforts of a good sound person. Just like the person at the helm of the replication being copied to recorded formats currently known to man. Recordings are replications of captured information. The after effect reproduction contraptions we utilize to create the reproduction of the performance of the original. Waiting for rediscovery hidden in the old stock original  6922. Who knew?  YMMV.