@ MikeLavigne Great post, summing things up ~~w/o bias, no distortion~~~
I was not aware of the fq range numbers for voice/cello/piano/other important instrumentation, particular to classical muisc.
For light classical (- nota orch in full bloom) most speakers can handle the fq's voicing. Again , some may prefer speaker A's warmer sound, = B&W othersa sharper more clinical sound = SEAS especially their top design The Excel series.
You pinned down the critical fq phase, for all my classical, especially voice, 40-250,,and i guess this is why SEAS designed the MTM, which offers 2 midwoofers ddoing the job in this range = offering a fuller soundstage.
I always wondered how to incorporate the 20-40 hz's, now with a new pre amps avaliable having to pre outs, i can employ a sub amp/woofer.
So ideally the Thor is the best speaker for voicing a full orchestra.
The 1 thing to keep in mind with the Thor, is one needs a amp taht can handle the low sensitivty. @ 87db. ,,no wait, its 89db, yet 4 ohms, = requiring/demanding a Class A amplifier, Specs say 50-400 watts, You obviously do not need 400 watss, as that high wattage will shed the surrounds.
Yet 50 watts, will have to be Class A 50, not Class A/B, as my cayin MT35, rated A/B/32 watts ultralinear proved no match for the Thors and the trans quicjkly over heated.
My guess the cayin MT45/50/55 might just barely make the grade to drive the Thor. The Jadis orch Refer had no issues at all. and the speaker responded with full bloom,,,I never tried other tubes, than the stock EI's, which have a good reputation, but as trejla has mentioned, the EI's may bea bit over rtaed, and in this i agree. They hada top end *steely* harshness at times,,but the voice/soundsatge was likea real live show in your living room with jazz. I wish I had rolled the KT90's to KT88's and others, before i sold it.
Truly a Class A/b amp, The trans very high quality.
The 2 bias controls/treble/bass, near worthless.
Best amp for the thors ona budget is the Cayin KT88. Or Muzishare or Line magnetic, all 3 offering powerful trans, all near Class A energy.
The thors need a class A power, A/B power is sacrificing /debilitating the quality of the speakers complex components.
Years ago, there were few class A push pull amps that were afforadble, Now with the 3 main chinese lines of amps, its all within reach of a reasonable budget.
This is how i arrived at the term, Class A speaker.
Class A cd player. If you want Class A sound, you can not have a Class A amp and the other components less than.
A
A/B
A/b
B
C
D
F
You need to figure out where each of your components fall.
You can takea Class \A/b component and make it pure Class A, but employing mods, which i am in the process of doing.
My Thors with 2001 xover parts is really a class A drivers with class A xover design, but parts, are now Class A/b or even B rated, since latest tech developmernts have been offered, = Silver, even Gold/Oil.
Thus the excel drivers are pure Class A, but with xover parts being Class B, lowers , debilitates the Excel drivers to a Class A/b performance. By updating the xover parts, the Excel drivers can now become true Class A voicing.
Hope some of this clarifies the issues we are all facing in our quest to acheive pure true, no fake Class A fidelity in our systems performance/muisc reproduction.
http://www.seas.no/index.php?option=com_content&view=article&id=382:thor-seas-diy-kits&catid=66&Itemid=365