The infamous


We all have our own definitions of this. For some, anything above $ 700.00 on a pair of speakers is a waste of money, for others, that level becomes $ 7,000, or $ 17,000. Same goes for amplification. Just wondering what that level may be for most of us on the following components: Amplifiers, preamp, sources and speakers. Of course system matching is essential. Nevertheless, what's your opinion on this?
ampman66

Showing 1 response by plato

I have to say that of all the posters Audiotomb has come closest to my personal recommendations. Contrary to what owners of super high-priced equipment believe (or would have you believe), complete systems can be put together for under $25,000 total that will provide performance equal to 95 percent of the best possible sound. I have put together such a system and others can do it too.

The laws of physics as they apply to music reproduction are static and the pace of technology is more incremental (slower) than equipment designers would have you believe. State-of-the-art systems from 30 years ago can provide 85 to 90 percent of detail and authenticity of today's best systems.

The most important aspect of assembling a great system is using your own ears and judgement to pick out the components that sound closest to your personal music paradigm.

Being able to audition gear in your own system before you commit to the purchase is definitely a big plus. Nothing is more aggravating to me than spending hard-earned money on a new piece of gear and then, two months later finding a component for half the price that sounds considerably better -- though sometimes this can't be forseen.

Just as an example, there are a few amplifiers on the market at about the $3000 price point that perform as well as many $30,000 amplifiers.

Of course there are those among us that regard audio hardware as another form of jewlery, who pay the big bucks to ensure that their speaker's finish matches their favorite automobile, or their interior, or just to say they have a system that costs $XXX,XXX.XX. And many such systems are poorly implemented and sound far worse than systems composed of modestly-priced gear set up by folks who have a good idea of how live music actually sounds.

How many times have you gone out to audition the latest mega-buck "breakthrough" products only to return home and thank God you didn't spend your own money on that stuff???

Lately I have been very impressed at the performance of some manufacturers' new products at what most of us would consider entry-level prices. Such products do not redefine the current limits of what is possible, but they do offer a surprisingly high level of performance at a fraction of the price of the best available gear.

I rest my case. :)