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The Horror

After getting  back home from “The Show” in Costa Mesa, California this past weekend, I walked over to my stereo system and turned it on. And silently wept. I had held out a feint hope that my cross-over modified 1.7i Maggies and mighty Parasound A21+, fed from a Prima Luna 300 tube preamplifier could somehow manage a slight shimmer of resemblance to the robust setups I witnessed at the SHOW. Not—- on— your —-life. Not even close. I slumped into my over-stuffed couch and stared long and hard at the thing I created: an anemic concoction of false hopes and wishful thinking. The horror, the truth: entry into serious audiophile listening begins with purchase of speakers that cost the price of the car I had to finance for 4 years, closely followed with the added expense of beefy sophisticated electronics and wiring, not a gaggle of cheap wanna-be plastic and tweeks. I so wanted to belong, but that’s turned out to be just a fever dream I’ve got to wake up from. Maybe one day, if ever I have the nerve to rob a bank, find Jimmy Hoffa, or survive a head-on collision from a sleepy Amazon driver, I might make it. Maybe. Feel free to play the violin with two fingers.

audiodidact

Showing 1 response by bimmerlover

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bimmerlover
58 posts
 

There’s a saying in photography (I’m a professional photographer):

Amateurs worry about their equipment,

Professionals worry about getting paid,

and Artists worry about the light.

 

Something very similar seems to apply in the world of “audiophilio” and in this forum:

Amateurs worry about their equipment,

Professionals worry about getting the sale,

and Music Lovers care about the emotional connection with the music.

 

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