The great myth of the XlR

Ah the Great Myth!!! I am a dealer for deHavilland electronics, perhaps the finest sounding single ended amplifiers and preamplifiers available. I have yet to find a balanced set up that conveys the music and emotion. It can't be just me, speak up boys.

So Sounds real _ audio. Is it the equipment or the cabling? And why wouldn't a balanced system not be able to convey the music and the emotion. Kind of a misguided blanket statement from a dealer wouldn't I would say? Wouldn't have anything to do with this equipment being ONLY single ended would it?
And "Best sounding?" I think this will be in dispute until the end of time or i-pods take over!

For what it's worth Musical Fiedlity only uses RCA connectors on their stuff....I assume they must know something about what sounds good.

I knew i was not the first to notice this.

Again i must state that with a truly balanced design like ayre using xlr is most duffently the way to go.

Now my tact amp is indeed a truly balnced design (if i read it right) but my slimdevices transporter is not.

I think il just have to try for my self.

Hi bigtee

Very interresting discussion we have here .

I agree that a bad recording should sound bad if a system is neutral, problem is many times its the system that destroys the pitch and timing in the music or just soound so over analytical that the music just happen to sound faulted where it really is the system thats doing crime.

I had the full lyngdorf audio roomperfect system with 2 tda2200 digital amps 4 speakers and roomperfect roomcorrection.
With that system only handfull cds sounded great rest sounded like crab lyngdorf audio will say its just because its neutral but its the other way around the system is digitaly colourd and some cds just dont show that tendeci that much.
When it got the top line millennium mk3 that is just simply a better amp then the tdas and everything sounded simply better and this amps is suppose to be eveen more neutral.

Speaking of neutral.
Most good systems sounds different with different cds because the dont colour the music.
MY frinds top notch linn klimax system takes this much futher here within the individuel track the sound changes.
You can listend to a track and then suddenly it changes pace or shifts down to a much much deeper frq or the soundstage widens if the music demands it its like there is no compression at all.
This must be what is called neutrality.

I agree that standing infront of a big stage and here Pink Floyd live with a cold one in you hand is in some ways the ultimat goal to reproduce.
But this can never happen i think and we can only mimic it to some extend.

What i mean when i say that you can exceed the real thing , is that with carefull setup and carefull selected components you can experince somthing different then live music a new preception of the music.

When i started out in hifi i listend to lost of different system wilson ,jamlab audioresearch, rotel and many others, and none excited me much it all sounded like a more detajled versions of my littel dennon system .
then one day i wheny into a shop and actuined the sonus faber cremona with linn chakra gear.
The room was around 40 sq meters and it was a very good acousticly speaking with tall seeling and hard wood floor and the speakers was set up just right.
Then i experincs a audio epiffany .
And that made me fall in love with this hoppy and sonus faber speakers.

it sure diddent sound like live music but it sounded like a dream where the speakers had a singing angle like voice.
There are really no words that can describe what i heard that day.
It was transending, and in my oppinion it was better then the real thing, or at least as good as hearing it live in person.

regards