Lots of interesting comments on this thread. I think theres some truth in Robs observation that dacs in the same price range have similar sound quality. The same thing could probably be said of preamps, amps, and even speakers. The same thing could also be said of other consumer items. Cars in the same price range have a similar build quality and design quality, which largely determines their drive quality. Dacs in the same price range have a similar build quality and design quality, which largely determines their sound quality. Lets treat this as axiomatic
(1) Build Quality + Design Quality = Sound Quality
This statement is intended in the same spirit at Steve N.s comment that
I agree with Steve, though my opinion about these things is far less informed than his. The point is that Robs observation that dacs in a similar price range sound similar can be largely explained by the fact that the similar price reflects similar design quality and build quality, and that results in similar sound quality. You get the idea.
Having said that, I think Statement (1) is true ONLY UP TO A POINT. That is to say, design quality and built quality are not the only determinants of sound quality. Another major determinant of sound quality is the SYSTEM in which a piece of equipment is heard. So, to revise
(2) Build Quality + Design Quality + System Quality = Sound Quality
Thats more like it. Statement (2) is intended in the same spirit as Als comment that
I agree with Al. The system in which a component is heard is an essential (and somewhat paradoxical) determinant of sound quality. That would seem to be the end of the story. But it isnt.
There is another major determinant of sound quality, and that is THE LISTENER. To revise again
(3) Build Quality + Design Quality + System Quality + Listener Quality = Sound Quality.
You see where Im going with this. The variables are increasing, the equation is expanding, and Sound Quality is becoming less and less easy to determine. But before I get into that, what do I mean by Listener Quality? I mean both the listeners EXPERTISE and the listeners VALUES, both of which vary widely from audiophile to audiophile. Statement (3) is intended in the same spirit as Audio Oracles comment that
So where does this leave us? In a state of uncertainty, Im afraid. Here is the reason: As you move through the various Qualities listed in Statement (3), they become increasingly subjective. In other words
Build Quality slightly subjective
Design Quality a bit more subjective
System Quality more subjective still
Listener Quality largely subjective
Sound Quality quite subjective
If sound quality were merely a matter of build quality and design quality, then estimates about sound quality would be quite uniform. But add into the equation different systems, which includes different rooms and different source material. Then add different listeners, which includes different expertise and different values. What you get when you add all that up are estimates about sound quality that vary widely, EVEN FOR equipment with similar build quality and design quality. Some will see the Emperors new clothes, and some will not. Some will find his new clothes beautiful, and some will not.
I generally dont like to conclude something so Subjectivist, but I dont see any way around it.
Bryon
(1) Build Quality + Design Quality = Sound Quality
This statement is intended in the same spirit at Steve N.s comment that
What makes a really stellar component is the other "STUFF", as well as the IMPLEMENTATION.[emphasis added]
I agree with Steve, though my opinion about these things is far less informed than his. The point is that Robs observation that dacs in a similar price range sound similar can be largely explained by the fact that the similar price reflects similar design quality and build quality, and that results in similar sound quality. You get the idea.
Having said that, I think Statement (1) is true ONLY UP TO A POINT. That is to say, design quality and built quality are not the only determinants of sound quality. Another major determinant of sound quality is the SYSTEM in which a piece of equipment is heard. So, to revise
(2) Build Quality + Design Quality + System Quality = Sound Quality
Thats more like it. Statement (2) is intended in the same spirit as Als comment that
while it is easy (and very common) to blame THE QUALITY OF A SYSTEM when there is a reported inability to perceive differences, that is not necessarily what is going on. And in fact an inverse correlation may often exist between THE ABILITY OF A SYSTEM to resolve musical information, and its ability to resolve differences between components, cables, tweaks, etc.[emphasis added]
I agree with Al. The system in which a component is heard is an essential (and somewhat paradoxical) determinant of sound quality. That would seem to be the end of the story. But it isnt.
There is another major determinant of sound quality, and that is THE LISTENER. To revise again
(3) Build Quality + Design Quality + System Quality + Listener Quality = Sound Quality.
You see where Im going with this. The variables are increasing, the equation is expanding, and Sound Quality is becoming less and less easy to determine. But before I get into that, what do I mean by Listener Quality? I mean both the listeners EXPERTISE and the listeners VALUES, both of which vary widely from audiophile to audiophile. Statement (3) is intended in the same spirit as Audio Oracles comment that
pay me a visit I can demonstrate to you that your findings are only accurate in your limited set of circumstances: your system setup and your EARS, extrapolating your particular BIASES and EXPECTATIONS to the rest of an industry is fallacious.[emphasis added]
So where does this leave us? In a state of uncertainty, Im afraid. Here is the reason: As you move through the various Qualities listed in Statement (3), they become increasingly subjective. In other words
Build Quality slightly subjective
Design Quality a bit more subjective
System Quality more subjective still
Listener Quality largely subjective
Sound Quality quite subjective
If sound quality were merely a matter of build quality and design quality, then estimates about sound quality would be quite uniform. But add into the equation different systems, which includes different rooms and different source material. Then add different listeners, which includes different expertise and different values. What you get when you add all that up are estimates about sound quality that vary widely, EVEN FOR equipment with similar build quality and design quality. Some will see the Emperors new clothes, and some will not. Some will find his new clothes beautiful, and some will not.
I generally dont like to conclude something so Subjectivist, but I dont see any way around it.
Bryon