The DAC Scam - Almost everyone believes the hype
Over many decades I have owned my share of multi-thousand dollar dacs.My current is my Audio Alchemy DDP-1 + PS 5, which I have owned for ~ 4 years. I have made many changes to my system, including cables and it has shined a light on every one, so I tend to agree with the YTV . Your thoughts?
Showing 8 responses by stuartk
... And, with all due respect, those of us who’ve experienced significant differences are just as "convinced".
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Of course, amplifier and speakers have a greater effect. I would have to hear a demonstration of what you consider to be "more or less similar fashion". For me, tonality and musicality are first and foremost and in terms of these factors, I’ve heard fairly dramatic differences in presentation that are most definitely not adequately described as "more or less similar". Variations in recording equality are another variable in the equation. I’m talking about what the DAC itself contributes, all other things being equal.
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It’s a reality that some recordings will never sound very good, no matter how expensive the gear. In fact the more resolving the gear, the worse such recordings may sound. It seems a waste of time to me to focus gear upgrades on trying to garner improved sonics from such recordings but then, if much of one’s favorite music is poorly recorded/produced, I suppose it’s understandable. Thankfully, I don’t find myself in such a predicament. Differences I’ve experienced in DACs: 1) Tonality -- some emphasize the upper mids and highs while others are more rolled off and emphasize the lower mids/upper bass. I happen to be very sensitive to highs/forwardness. I’ve played guitar for 50 + years and tonality has always been a top priority in choosing guitars. I don’t like muddy sounding guitars or bright sounding guitars. Same with audio. It’s not easy to build a guitar that is both warm and clear sounding. Many overemphasize upper mids and highs and truncate bass in an effort to improve clarity and so-called "balance". Much current audio gear, to my ears, sounds like it's voiced to sound "lively" or "energic" and to me this typically translates to fatiguing. 2) "Organic" vs. "Clinical" or Natural vs. Analytic: Some DACs I’ve heard have sounded "dry" while others are more ’liquid". I lack the vocabulary to explain this further, except to say that I associate leaner mids and tipped up highs with the clinical sound. Some DACs have behaved more like lab equipment, akin to a microscope. They’ve emphasize resolution above all else, which sounds very unnatural to me. Not my cup of tea. 3) Bass and 4) Soundstaging There are other categories I’m probably forgetting. The above are the most obvious to me and reflect my particular priorities. As always, YMMV. I’m more of a music lover than an audiophile so there are factors to which I pay little attention that might figure largely in your gear choices. As @moonwatcher correctly states:
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I don’t disagree with anything you’ve said. How two people perceive the actual differences between two DACs will definitely be impacted not only by their respective priorities in terms of sonic factors but also by their hearing. And of course, this is not even considering differences in ancillary gear and listening spaces! As it happened, the particular group of DACs I auditioned in the past spanned a very wide spectrum, in terms of musical vs. analytical/warm vs. bright. If I’d chosen a different group of DACs, the differences might’ve been far less evident and I might well have determined that one DAC pretty much sounds like another. |
Exactly. Nevertheless, there are always guys who insist their experience defines reality and that the rest of us are self-deluded. Don't know about anyone else, but I'm pretty fed up with these self-appointed "guardians of the truth".
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